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DTSTART;TZID=America/New_York:20220910T130000
DTEND;TZID=America/New_York:20221023T170000
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SUMMARY:What They Saw Reading Room at Enter Enter in Amsterdam
DESCRIPTION:Enter Enter is pleased to present What They Saw: Historical Photobooks by Women\, 1843-1999\, a hands-on reading room showcasing a global selection of photobooks by female photographers from photography’s beginnings to the dawn of the 21st century. Enter Enter is open to the public on Fridays\, Saturdays and Sundays\, 1 – 5 pm. \n\n\n\nPublic Talks \n\n\n\nRijksmuseum LibraryFriday\, 16 September at 5:30 pmUnseen VIP event. Advance registration required through the Unseen VIP portal.Mattie Boom\, curator of photography at the Rijksmuseum and Alex Alsemgeest\, librarian at the Rijksmuseum Library will discuss photobooks by women in the museum library’s collection.  \n\n\n\nEnter EnterSaturday\, 17 October at 3 pmWhat They Saw designer Ayumi Higuchi and co-editor Russet Lederman will discuss the project’s development from a design perspective.
URL:https://10x10photobooks.org/event/what-they-saw-amsterdam/
LOCATION:Enter Enter\, Nieuwe Herengracht 11A\, Amsterdam\, 1011RK\, Netherlands
CATEGORIES:Reading Room
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DTSTART;TZID=America/New_York:20221007T183000
DTEND;TZID=America/New_York:20221007T203000
DTSTAMP:20221008T215929Z
CREATED:20220906T142615Z
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SUMMARY:Salon #61 — Sim Chi Yin\, Teun van der Heijden and Odette England
DESCRIPTION:Join us for an in-person salon with artists Sim Chi Yin and Odette England. Sim will discuss She Never Rode That Trishaw Again (self-published\, 2021) with designer Teun van der Heijden and England will present Dairy Character (Saint Lucy Books\, 2021). \n\n\n\n\nRSVP required\n\n\n\n\nAddress will be provided when RSVP confirmed starting September 30. \n\n\n\nSim Chi Yin\, She Never Rode That Trishaw Again (2021) Photo: Johannes Kremer \n\n\n\nShe Never Rode That Trishaw Again (self-published\, 2021) tells the story of Loo Ngan Yue\, a woman widowed by the British war against anti-colonial forces in Malaya — a 12-year conflict that became a template for other counter-insurgency campaigns. Artist and author Sim Chi Yin juxtaposes vacation photographs of Loo — her late paternal grandmother — with oral history excerpts on the family’s trauma. This intimate volume\, using vernacular photographs to create a filmic experience\, takes us inside the emotional world of a family shattered by geopolitics. It is the first in a trilogy of books Sim is making on the “Malayan Emergency” of 1948 to 1960\, painting a picture of anguish\, loss and amnesia — an allegory for Southeast Asia’s lingering traumas as a Cold War battleground. The book is designed by Teun van der Heijden. \n\n\n\nSim Chi Yin\, She Never Rode That Trishaw Again (2021) Photos: Johannes Kremer \n\n\n\nSim Chi Yin is an artist from Singapore whose research-based practice includes photography\, moving image\, archival interventions and text-based performance\, and focuses on history\, conflict\, memory and extraction. She is currently based in New York\, where she is a fellow on the Whitney Independent Study Program. Recent solo exhibitions include Zilberman Gallery Berlin (2021)\, Les Rencontres d’Arles (2021) and Landskrona Foto Festival\, Sweden (2020). Sim was commissioned as the Nobel Peace Prize photographer in 2017. She is also doing a visual practice-based PhD at King’s College London. \n\n\n\n\n\n\n\nOdette England\, Dairy Character (Saint Lucy Books\, 2021)\n\n\n\nDairy Character (Saint Lucy Books\, 2021) is a loose chronicle of Odette England’s experience growing up on a rural dairy farm in southern Australia. Combining recent photographs\, family snapshots\, archival images and autobiographical short stories\, England examines the male-dominant farming community in which she was raised and the gendered repression that rural females experience. Her images and texts evoke a girl introduced to reproductive labor at an early age. A girl who wanted a pink room. A girl fenced in by interconnecting forms of vulnerability. A girl who had a cow named after her. Dairy Character is the 2021 winner of the Light Work Book Award. \n\n\n\nOdette England\, Dairy Character (Saint Lucy Books\, 2021)\n\n\n\nOdette England is a photographer and writer\, and a 2022 Guggenheim Fellow. Her work has been exhibited in more than 100 museums\, galleries and art spaces worldwide and is held in public collections including the Museum of Modern Art. She has an MFA\, a PhD and teaches at Brown University.
URL:https://10x10photobooks.org/event/salon-61/
CATEGORIES:Salon
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DTSTART;TZID=America/New_York:20221014T110000
DTEND;TZID=America/New_York:20221106T180000
DTSTAMP:20250510T133726Z
CREATED:20221006T163927Z
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SUMMARY:TINY XX LIBRARY @ Mmuseumm 2
DESCRIPTION:A pop-up library of recent photobooks not by men.Books as objects; books as stories; to touch\, to inspire\, to reflect!  \n\n\n\nFridays\, Saturdays & Sundays: 11 am – 6 pm. \nClosed if raining. \n24/7 viewing windows. \n\n\n\nMmuseum 26 Cortlandt AlleyTriBeCa\, New York CityOpening Night PartyFriday\, 14 October7 pm – 9 pmBooks & CoffeeSunday\, 16 October10 am – 12 pmBooks in TINY XX LIBRARY \n\nRhiannon Adam\, Big Fence / Pitcairn Island\nSasha Arutyunova\, Shelter\nJane Evelyn Atwood\, Darya: Histoire d’une badante ukrainienne\nFrançoise Caraco\, Hidden Istanbul\nSabiha Çimen\, Hafiz\nSolmaz Daryani\, The Eyes of Earth\nBieke Depoorter\, … \nJess T. Dugan\, Look at me like you love me\nKatinka Goldberg\, Bristningar\nBettina Grossman\, Bettina: Photographs and works by Bettina Grossman\nNaomi Harris\, Haddon Hall\nNhu Xuan Hua\, Tropism\nSayuri Ichida\, Absentee\nNadine Ijewere\, Our Own Selves\nAgata Kalinowska\, Yaga\nStacy Kranitz\, As it Was Give(n) to Me\n      \nAnna Krieps\, Stardust\nAnouk Kruithof\, Trans Human Nature\nJustine Kurland\, SCUMB Manifesto\nRita Lino\, Replica\nDana Lixenberg\, Polaroid 54/59/79\nHolly Lynton\, Bare Handed\nAlakananda Nag\, Armenians of Calcutta\nCarole Naggar\, Searching for the Light: David ‘Chim’ Seymour\, 1911-1956\nMarilyn Nance\, Last Day in Lagos\nFrida Orupabo\, Frida Orupabo\nAnita Pouchard Serra\, Espera(nza)\nSmita Sharma\, We Cry in Silence\nElisabeth Smolarz\, Encyclopedia of Things\nMoe Suzuki\, Sokohi\nLeticia Valverdes\, Dear Ana\nYelena Yemchuk\, Odesa
URL:https://10x10photobooks.org/event/tiny-xx-library/
CATEGORIES:Reading Room
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DTSTART;TZID=America/New_York:20221020T183000
DTEND;TZID=America/New_York:20221020T203000
DTSTAMP:20221011T195202Z
CREATED:20220921T191909Z
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SUMMARY:Salon #62 — Claudia Jaguaribe and Winfried Heininger of Kodoji Press
DESCRIPTION:Join us for an in-person salon with photographer Claudia Jaguaribe and publisher Winfried Heininger of Kodoji Press. \n\n\n\n\nRSVP required\n\n\n\n\nAddress will be provided when RSVP confirmed starting October 15. \n\n\n\nClaudia Jaguaribe\, Asphalt Flower (Editions Bessard\, 2022)\n\n\n\nClaudia Jaguaribe’s Asphalt Flower (Editions Bessard\, 2022) is a leporello book: one huge\, single image which creates a “second Nature.” The work revisits the idea of landscape as a garden which expresses what connects Humans to Nature. It is an iconic place for the cycles of life (growth\, flowering and decline) and a reflection of the society that shapes it. The superimposed images of flowers symbiotically entering asphalt forms shows us a surface that encapsulates nature since biblical times and can no longer be separated from it. Nature and culture are inextricable\, one becoming the other. The photographic composition takes form between the idea of a world that seems to be heading towards a natural disaster and a future in which it struggles to maintain the force of resilience and resistance. \n\n\n\nClaudia Jaguaribe\, Asphalt Flower (Editions Bessard\, 2022)\n\n\n\nClaudia Jaguaribe’s work is mainly focused on the urban landscape and environmental issues. The materiality of her works questions the very nature of photography as she expands traditional formats by creating photo sculptures. She has 20 books published and recognized by the singularity of the photographic integration and graphic design. (@cjaguaribe) \n\n\n\n\n\n\n\nRecent titles from Kodoji Press\n\n\n\nWinfried Heininger designs and publishes books under the imprint of Kodoji Press. Amongst those publishing in the field of art and photography books\, Heininger is one of the very few to consistently push editorial projects to their limits. He is questioning standards in book production and challenging conventional formats. (@kodoji_press) \n\n\n\nKodoji Press reading room at LE BAL\, September 2022
URL:https://10x10photobooks.org/event/salon-62/
CATEGORIES:Salon
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