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DTSTART;TZID=America/New_York:20220420T130000
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UID:26788-1650459600-1650463200@10x10photobooks.org
SUMMARY:AIPAD Talk
DESCRIPTION:Join Olga Yatskevich and Russet Lederman\, co-founders of 10×10 Photobooks\, for a virtual discussion about What They Saw: Historical Photobooks by Women\, 1843-1991\, winner of the Paris Photo-Aperture Foundation Photography Catalogue of the Year Award for 2021.
URL:https://10x10photobooks.org/event/aipad-talk/
CATEGORIES:Talk,Virtual Panel
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DTSTART;TZID=America/New_York:20220421T183000
DTEND;TZID=America/New_York:20220421T203000
DTSTAMP:20220501T131631Z
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UID:26933-1650565800-1650573000@10x10photobooks.org
SUMMARY:Salon #57—Accra Shepp
DESCRIPTION:Join us for an in-person salon with photographer Accra Shepp discussing his new photobook\, Radical Justice: Lifting Every Voice (Convoke\, 2022)  \n\n\n\n\n\n\n\nRadical Justice: Lifting Every Voice (Convoke\, 2022)\, Accra Shepp’s first monograph\, brings together two bodies of socially engaged photographic portraiture that document New York City’s Occupy Wall Street movement starting in 2011 and its racial justice/BLM protests since 2020. Working in the style of August Sander with a large-format camera and black-and-white film\, Shepp pictures New Yorkers on their city’s streets in acts of sit-ins and active protest. Both unplanned and highly organized\, as well as independent and unified\, Shepp’s images address notions of the 99% and 1%\, which have come to define the American political vernacular. Bearing witness to defining events of the last decade that echo the United States’ longer historical arch\, Shepp’s empathetic depictions of fellow citizens standing up for the Constitution’s fair protection provide a prophetic mirror of current events\, which reflects back centuries to where the American experiment began\, and suggest where we’ll find ourselves in the years to come. \n\n\n\n\n\n\n\nAccra Shepp was born on the Lower East Side of Manhattan amid the Black Power movement and the cultural change of the 60s. He is a photo-based artist whose work explores our relationship with the natural environment. Shepp’s images have been exhibited worldwide and are in the collections of the Museum of Modern Art\, the Victoria and Albert Museum\, among other institutions. His writings have appeared in The New York Times and the New York Review of Books and the artist’s book Atlas. Shepp’s Windbook\, an artist’s-book installation\, which explored ethnicity and national identity\, was a year-long project where the book was outside\, exposed to the elements with only the wind to turn its pages. He has taught at Princeton\, Columbia\, Wellesley\, and Bowdoin\, and currently teaches at the School of Visual Arts.
URL:https://10x10photobooks.org/event/salon-57/
CATEGORIES:Salon
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DTSTART;TZID=America/New_York:20220426T130000
DTEND;TZID=America/New_York:20220426T143000
DTSTAMP:20221207T202310Z
CREATED:20220329T163229Z
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UID:26743-1650978000-1650983400@10x10photobooks.org
SUMMARY:The Photobook Ecosystem: Searching for Sustainable Approaches
DESCRIPTION:Co-presented by 10×10 Photobooks and the Sustainable Photobook Publishing (SPP) Network \n\n\n\nA panel discussion with Loose Joints — Lewis Chaplin & Sarah Piegay Espenon\, Catriona Gourlay (NAL\, V&A)\, Paul John (Jan van Eyck Academie\, Endless Editions) and Tamsin Green (manual.editions\, SPP Network). \n\n\n\nModerated by Amelie Schuele (FOAM) and Daria Tuminas (FOTODOK). \n\n\n\n\n\n\nWhat does sustainability mean for the photobook community? The materials used to make books such as paper\, printing inks and packaging all use valuable resources and industrial processes that create waste and are potentially harmful to the planet. As a creative ﬁeld with links to many different disciplines\, photobook publishing is well positioned to innovate and challenge publishing industry norms to forge a more sustainable future. Starting from where the YET Issue 12 “Is a Book Worth a Tree?” research ended\, this event is intended to start conversations\, spark new ways of thinking\, and encourage ecologically conscious decision making at each stage of the photobook cycle—design\, making\, distribution\, consumption. \n\n\n\nSupported by Westminster University (Green Fund) and RPS Documentary Group. \n\n\n\nAdditional resources mentioned in the talk:\n\n\n\nSupport Ukrainian photobook makersDavid Joselit’s essay “In Praise of Small”Alternative materials discussed by Paul John: futurematerialsbank.comSPP Network’s Resource List\n\n\n\n\n\n\n\nDaria Tuminas is an independent curator. Since 2019\, she regularly curates for FOTODOK. Between 2017 and 2019\, she headed Unseen Book Market at Unseen Amsterdam. Tuminas obtained a master’s in folklore and mythology at Saint Petersburg State University\, and a master’s in film and photographic studies at Leiden University. She has organized a number of exhibitions and projects in relation to photobooks and regularly contributes texts about photobooks to various media including guest editor of The Photobook Review #12 (Aperture\, 2017); a chapter on Eastern European photobooks in How We See: Photobooks by Women (10×10 Photobooks\, 2018); and in 2020 Tuminas co-wrote “Is a Book Worth a Tree?” for YET issue 12. \n\n\n\nAmelie Schüle is curator and head of public practice at FOAM Amsterdam. Special projects include the solo show Double Portrait by Cemre Yesil at project space MAQAM and Foam Talks\, a monthly podcast focussing on contemporary photography and visual culture. From 2018 until 2020\, she was a curator at Unseen Amsterdam. Before this\, she worked for several years in different commercial galleries in Switzerland including Christophe Guye Galerie and Hauser & Wirth. She obtained a Master’s degree in Curatorial Studies at the Zurich School of the Arts. Schüle co-wrote “Is a Book Worth a Tree?” for YET issue 12. \n\n\n\nLoose Joints is an independent publishing house founded by Sarah Piegay Espenon and Lewis Chaplin in 2014 and based between Marseille and London. Collaborating with leading and emerging artists on contemporary approaches to photography in book form\, Loose Joints circulates new visual perspectives through a dedicated list seeking to elevate underrepresented voices in photographic discourse\, and a holistic approach to publishing from start to ﬁnish with all design\, editing and production done in-house. Loose Joints also operates independently as a design studio\, working across publishing and the arts. In 2021 Loose Joints also founded Ensemble: a space dedicated to books\, editions and photography in the heart of Marseille. \n\n\n\nPaul John is an artist who works in abstract photography. Publishing and bookmaking are at the core of his artistic work. Education\, dissemination of skills\, and cultivating a community are elements of that practice. Working at the intersection of printmaking and institution building\, John is the co-founder and former director of Endless Editions (based out of the Robert Blackburn Printmaking Workshop in New York City)\, a publishing and curatorial initiative founded in 2014 with a mission to produce and disseminate books or prints by underrepresented and emerging artists. In 2017 Endless Editions co-produced the first ever Brooklyn Art Book Fair and has been the sole organizer since. BKABF is a free event for both vendors and the public. John is currently the coordinator of the Printing and Publishing Lab at the Jan van Eyck Academie in Maastricht\, NL. \n\n\n\nCatriona Gourlay studied Fine Art in Edinburgh and worked as a Research Resources Assistant at the National Galleries of Scotland before becoming Assistant Curator in the National Art Library at the V&A in 2015. Her recent V&A display\, Landscape and Language in Artists’ Books\, explored how artists since the 1960s have used thought-provoking combinations of word and image to respond to landscape or evoke imaginary places. \n\n\n\nTamsin Green is an English visual artist and architect. In 2021 she established manual.editions to explore environmentally conscious approaches to book making. Through her search for more sustainable practices the Sustainable Photobook Publishing (SPP) Network was born. Green has published two handmade small edition books: Born of the Purest Parents (self-published\, 2018) and this is how the earth must see itself; A walk with Natural Features (manual.editions\, 2021). These books are in public collections\, including the National Art Library at the Victoria and Albert Museum and the Tate. Her books are also available to borrow within the UK via the manual.editions library.
URL:https://10x10photobooks.org/event/the-photobook-ecosystem-searching-for-sustainable-approaches/
CATEGORIES:Talk,Virtual Panel
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