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DTSTART;TZID=America/New_York:20220302T183000
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SUMMARY:Salon #55 - Anita Pouchard Serra and Matarile Ediciones
DESCRIPTION:2 March 2022: 10×10 hosted a salon with photographer Anita Pouchard Serra and artist / publisher Martha Naranjo Sandoval of Matarile Ediciones with photographer groana melendez at the Center for Book Arts in Manhattan.\n\n\n\nAnita Pouchard Serra\, Espera(nza) (self-published\, 2021). \n\n\n\nAnita Pouchard Serra (@anitapouchardserra) is a French-Argentinian visual storyteller working on stories that affect her personally\, connecting to current societal issues such as identity\, migration and women’s rights via an interdisciplinary approach. Her work has been supported by the Pulitzer Center\, the IWMF\, Open Society Foundations and National Geographic and published in The New York Times\, Bloomberg\, Le Monde and The Washington Post. Pouchard Serra\, who has exhibited worldwide\, is also a visual storytelling teacher and lecturer. \n\n\n\ngroana melendez\, West 176 Street / Martha Naranjo Sandoval\, Sangre de mi Sangre / Cristina Velásquez\, Quiéreme Mucho (Love me a lot) (all Matarile Ediciones\, 2021).\n\n\n\nMatarile Ediciones (@matarileediciones) is an artist-run photobook publisher that focuses on artists who are immigrants\, their children\, or part of a recent diaspora. They are based in Mexico City and Brooklyn\, New York. \n\n\n\nMartha Naranjo Sandoval (@martha_mydear) is a New York-based filmmaker and visual artist from Mexico City. Her work focuses on the materiality of images—in the difference between how time is portrayed in moving and still images—and how images gain significance culturally. She is the founder and director of Matarile Ediciones and works for Dashwood Books. She holds a degree in Film a Television from Centro de Diseño\, Cine y Televisión (Mexico City)\, and an MFA from the International Center of Photography and Bard College. \n\n\n\nLeft: groana melendez\, West 176 Street. Right: Martha Naranjo Sandoval\, Sangre de mi Sangre.\n\n\n\ngroana melendez (@groana)\, raised between New York City and Santo Domingo\, is a lens-based artist whose work explores hybrid identities through self-representation. She holds an MFA in Advanced Photographic Studies from the International Center of Photography-Bard Program and has been part of residencies at Proyecto ‘Ace\, Diaspora Vibe Arts Incubator\, and ARC Athens. She works and lives in the Bronx. \n\n\n\nCorina Reynolds of the Center for Book Arts introduces the salon presenters.\n\n\n\nAnita Pouchard Serra discusses Espera(nza).\n\n\n\nAnita Pouchard Serra\, Martha Naranjo Sandoval and grona melendez.\n\n\n\nA big thank you to Corina Reynolds and Camilo Otero at the Center for Book Arts for hosting this salon.
URL:https://10x10photobooks.org/event/salon-55-anita-pouchard-serra-and-matarile-ediciones/
CATEGORIES:Salon
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DTSTART;TZID=America/New_York:20220331T183000
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SUMMARY:Salon #56 — Justine Kurland\, Laura Larson
DESCRIPTION:Join us for an in-person salon with photographers Justine Kurland and Laura Larson. \n\n\n\n\n\n\nRSVP required\n\n\n\n\nInspired by Valerie Solanas’ iconoclastic feminist tract SCUM (Society for Cutting Up Men) Manifesto\, SCUMB Manifesto (MACK\, 2022) introduces us to photographer Justine Kurland’s uncompromising initiative: the Society for Cutting Up Men’s Books. This volume presents collages Kurland created by cutting up and reconfiguring photobooks by male artists as she went through the process of purging her own library of books by straight white men that have monopolized the photographic canon. Her ritual is restorative and loving: each work is a reclamation of history\, a dismemberment of the patriarchy\, a gender inversion of the usual terms of possession\, and a modest attempt at offsetting a life of income disparity. Kurland is known for her utopian photographs of American landscapes and their fringe communities—these compositions are a continuation of her ongoing project of creating space for women. \n\n\n\nJustine Kurland (@justine4good) studied photography at the School of Visual Arts and Yale University. Recent monographs include Justine Kurland: Girl Pictures (Aperture\, 2020) and The Stick (TIS\, 2021). \n\n\n\n\n\n\n\nCity of Incurable Women (Saint Lucy Books\, 2022) pictures the complex lives of 19th-century women\, diagnosed as suffering from hysteria\, who were hospitalized at the Pitié-Salpêtrière Hospital in Paris. Incorporating a broad range of materials\, Laura Larson‘s second book layers archival imagery with her own photographs and texts\, speculating through the documented accounts of the women’s illness. She imagines the women as a collective\, making a claim for their shared knowledge and the pleasures and risks of escape. Embracing photography’s capacity to feel\, City of Incurable Women sees these women as unruly spirits that haunt the present\, mining the radical possibilities of empathy and resistance. \n\n\n\nLaura Larson (@laura_larson_studio) is a photographer and writer based in Columbus. Her first book\, Hidden Mother (Saint Lucy Books\, 2017)\, was shortlisted for the Aperture-Paris Photo First Photobook Prize.
URL:https://10x10photobooks.org/event/salon-56-justine-kurland-laura-larson/
CATEGORIES:Salon
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