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DTSTART;TZID=America/New_York:20221007T183000
DTEND;TZID=America/New_York:20221007T203000
DTSTAMP:20260428T123340
CREATED:20220906T142615Z
LAST-MODIFIED:20221008T215929Z
UID:27935-1665167400-1665174600@10x10photobooks.org
SUMMARY:Salon #61 — Sim Chi Yin\, Teun van der Heijden and Odette England
DESCRIPTION:Join us for an in-person salon with artists Sim Chi Yin and Odette England. Sim will discuss She Never Rode That Trishaw Again (self-published\, 2021) with designer Teun van der Heijden and England will present Dairy Character (Saint Lucy Books\, 2021). \n\n\n\n\nRSVP required\n\n\n\n\nAddress will be provided when RSVP confirmed starting September 30. \n\n\n\nSim Chi Yin\, She Never Rode That Trishaw Again (2021) Photo: Johannes Kremer \n\n\n\nShe Never Rode That Trishaw Again (self-published\, 2021) tells the story of Loo Ngan Yue\, a woman widowed by the British war against anti-colonial forces in Malaya — a 12-year conflict that became a template for other counter-insurgency campaigns. Artist and author Sim Chi Yin juxtaposes vacation photographs of Loo — her late paternal grandmother — with oral history excerpts on the family’s trauma. This intimate volume\, using vernacular photographs to create a filmic experience\, takes us inside the emotional world of a family shattered by geopolitics. It is the first in a trilogy of books Sim is making on the “Malayan Emergency” of 1948 to 1960\, painting a picture of anguish\, loss and amnesia — an allegory for Southeast Asia’s lingering traumas as a Cold War battleground. The book is designed by Teun van der Heijden. \n\n\n\nSim Chi Yin\, She Never Rode That Trishaw Again (2021) Photos: Johannes Kremer \n\n\n\nSim Chi Yin is an artist from Singapore whose research-based practice includes photography\, moving image\, archival interventions and text-based performance\, and focuses on history\, conflict\, memory and extraction. She is currently based in New York\, where she is a fellow on the Whitney Independent Study Program. Recent solo exhibitions include Zilberman Gallery Berlin (2021)\, Les Rencontres d’Arles (2021) and Landskrona Foto Festival\, Sweden (2020). Sim was commissioned as the Nobel Peace Prize photographer in 2017. She is also doing a visual practice-based PhD at King’s College London. \n\n\n\n\n\n\n\nOdette England\, Dairy Character (Saint Lucy Books\, 2021)\n\n\n\nDairy Character (Saint Lucy Books\, 2021) is a loose chronicle of Odette England’s experience growing up on a rural dairy farm in southern Australia. Combining recent photographs\, family snapshots\, archival images and autobiographical short stories\, England examines the male-dominant farming community in which she was raised and the gendered repression that rural females experience. Her images and texts evoke a girl introduced to reproductive labor at an early age. A girl who wanted a pink room. A girl fenced in by interconnecting forms of vulnerability. A girl who had a cow named after her. Dairy Character is the 2021 winner of the Light Work Book Award. \n\n\n\nOdette England\, Dairy Character (Saint Lucy Books\, 2021)\n\n\n\nOdette England is a photographer and writer\, and a 2022 Guggenheim Fellow. Her work has been exhibited in more than 100 museums\, galleries and art spaces worldwide and is held in public collections including the Museum of Modern Art. She has an MFA\, a PhD and teaches at Brown University.
URL:https://10x10photobooks.org/event/salon-61/
CATEGORIES:Salon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220914T183000
DTEND;TZID=America/New_York:20220914T203000
DTSTAMP:20260428T123340
CREATED:20220906T134151Z
LAST-MODIFIED:20220916T162556Z
UID:27930-1663180200-1663187400@10x10photobooks.org
SUMMARY:Salon #60 — D'Angelo Lovell Williams\, Rachel Papo
DESCRIPTION:Join us for an in-person salon with photographers D’Angelo Lovell Williams and Rachel Papo. Williams will present Contact High (MACK\, 2022) and Papo will present It’s Been Pouring (Kehrer Verlag\, 2022). \n\n\n\n\nRSVP required\n\n\n\n\nAddress will be provided when RSVP confirmed starting September 10. \n\n\n\nD’Angelo Lovell Williams\, Contact High (MACK\, 2022)\n\n\n\nD’Angelo Lovell Williams’s Contact High (MACK\, 2022) offers an expansive engagement with the visualization of desire and depiction of the Black body. Williams’s narrative images reflect the many forms in which Black queer people exist and have existed historically within each other’s lives. The title references the importance of touch and gesture in Williams’s work\, and alludes to heightened senses and intuitive movement. Williams’s photographs visualize the Black body in performative scenes that are theatrical\, dance-like\, and occasionally mundane\, pointing towards collective histories and Black ancestral practices. At the heart of these intimate\, dialogic images are notions of kinship and spirituality interwoven with quietly political and radical gestures. Williams’s unfaltering gaze insists on visibility and deference and creates scenes in which Black and queer voices are the authority. The dynamics that play out are visualized as a spectrum of care\, tenderness\, and vulnerability\, speaking to the nuances of our complex lives often overlooked by historical depictions. \n\n\n\nD’Angelo Lovell Williams\, Contact High (MACK\, 2022)\n\n\n\nD’Angelo Lovell Williams is a Black\, HIV-positive artist expanding narratives of Black and queer intimacy through photography. They earned their BFA in photography from Memphis College of Art in 2015\, an MFA in photography from Syracuse University in 2018\, and are a 2018 Skowhegan School of Art alum. They live and work in New York City and are represented by Higher Pictures Generation. \n\n\n\n\n\n\n\nRachel Papo\, It’s Been Pouring (Kehrer Verlag\, 2022)\n\n\n\nIn It’s Been Pouring (Kehrer Verlag\, 2022)\, Rachel Papo plumbs the depths of her postpartum depression\, drawing on a community of mothers whose suffering mirrors her own. Through a combination of photographs\, interviews and her own emails and texts\, she provides a portal into the unbearable tension that exists between the miracle of birth and the potential horror that follows\, leading the viewer through a narrative of despair. Designer Hans Gremmen deftly transforms Papo’s project into a nuanced photobook. The sympathetic\, yet unwavering lens this work brings to postpartum depression helps build the case that it is\, in part\, a social problem\, largely due to the narrow definition of what our culture means by “mother.” \n\n\n\nRachel Papo\, It’s Been Pouring (Kehrer Verlag\, 2022)\n\n\n\nRachel Papo is a Brooklyn-based award-winning photographer whose works have been exhibited and published worldwide. Among her awards are two NYFA Fellowships (2006\, 2022) and a Lucie Award (2006). Papo’s works are in the collections of The Museum of Fine Arts\, Houston\, The Museum of Contemporary Photography and The Griffin Museum of Photography. Previous publications include Serial No. 3817131 (PowerHouse 2008) and Homeschooled (Kehrer 2016).
URL:https://10x10photobooks.org/event/salon-60/
CATEGORIES:Salon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220910T130000
DTEND;TZID=America/New_York:20221023T170000
DTSTAMP:20260428T123340
CREATED:20220809T192342Z
LAST-MODIFIED:20220910T004254Z
UID:27561-1662814800-1666544400@10x10photobooks.org
SUMMARY:What They Saw Reading Room at Enter Enter in Amsterdam
DESCRIPTION:Enter Enter is pleased to present What They Saw: Historical Photobooks by Women\, 1843-1999\, a hands-on reading room showcasing a global selection of photobooks by female photographers from photography’s beginnings to the dawn of the 21st century. Enter Enter is open to the public on Fridays\, Saturdays and Sundays\, 1 – 5 pm. \n\n\n\nPublic Talks \n\n\n\nRijksmuseum LibraryFriday\, 16 September at 5:30 pmUnseen VIP event. Advance registration required through the Unseen VIP portal.Mattie Boom\, curator of photography at the Rijksmuseum and Alex Alsemgeest\, librarian at the Rijksmuseum Library will discuss photobooks by women in the museum library’s collection.  \n\n\n\nEnter EnterSaturday\, 17 October at 3 pmWhat They Saw designer Ayumi Higuchi and co-editor Russet Lederman will discuss the project’s development from a design perspective.
URL:https://10x10photobooks.org/event/what-they-saw-amsterdam/
LOCATION:Enter Enter\, Nieuwe Herengracht 11A\, Amsterdam\, 1011RK\, Netherlands
CATEGORIES:Reading Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220704T110000
DTEND;TZID=America/New_York:20220710T200000
DTSTAMP:20260428T123340
CREATED:20220612T163355Z
LAST-MODIFIED:20220624T165111Z
UID:27238-1656932400-1657483200@10x10photobooks.org
SUMMARY:What They Saw at Arles Book Fair
DESCRIPTION:Find 10×10 Photobooks’ What They Saw at L’Editeur du Dimanche’s table at the Arles Book Fair with France Photobook at “Le Capitole” from 4 to 10 July\, 11 am to 8 pm daily.
URL:https://10x10photobooks.org/event/what-they-saw-at-arles-book-fair/
LOCATION:Le Capitole\, 14 Rue Laurent Bonnement\, Arles\, 13200\, France
CATEGORIES:Book Fair
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220621T183000
DTEND;TZID=America/New_York:20220621T203000
DTSTAMP:20260428T123340
CREATED:20220604T214440Z
LAST-MODIFIED:20250510T134043Z
UID:27110-1655836200-1655843400@10x10photobooks.org
SUMMARY:Salon #59 — Sabiha Çimen\, Bieke Depoorter
DESCRIPTION:10×10 and Magnum Foundation present an in-person salon with Magnum photographers Sabiha Çimen and Bieke Depoorter discussing their recent photobooks. Other photobooks by Magnum women will be available to purchase as well. \n\n\n\n*** Proof of vaccination required. All attendees must remain masked. *** \n\n\n\n\nRSVP required\n\n\n\n\nAddress will be provided when RSVP confirmed starting June 16. \n\n\n\nSabiha Çimen\, Hafiz (Red Hook Editions\, 2021)\n\n\n\nSabiha Çimen‘s first book Hafiz (Red Hook Editions\, 2021) is the culmination of three years of photographing girl’s Quran schools in five cities in Turkey. This is a subject that she knows very well since she herself attended one of those schools as a teenager\, with her twin sister. The title refers to one who has memorized all 604 pages of the Holy Quran. Historically\, the task of memorization began during the time of Muhammad. The individual process can take up to four years and is usually done by girls ranging in age from eight to nineteen. Turkey has thousands of Quran schools. This world has never been captured with so much intimacy before\, as only Çimen can do\, because she is part of this culture. Every photo reveals a different aspect and gives us a deeper understanding of the daily life and the dreams of these girls. \n\n\n\nSabiha Çimen (@sabakhayr)\, born in Istanbul\, is a self-taught photographer\, focusing on women\, Islamic culture\, portraiture\, and still life. Çimen graduated from Istanbul Bilgi University with an undergraduate degree in International Trade and Finance and a Master’s degree in Cultural Studies. Her Master’s thesis on subaltern studies\, which includes her photo story titled “Turkey as a Simulated Country\,” was published by Cambridge Scholars Publishing in 2019. Awards include W. Eugene Smith Fund 2020\, Light Work Artist in Residence 2020 and Canon Female Photojournalist Grant 2020\, among others\, and she participated in the 2018 World Press Photo Foundation Joop Swart Masterclass. Çimen became a Magnum Nominee member in 2020\, and lives in Istanbul and New York. \n\n\n\nSabiha Çimen\, Hafiz (Red Hook Editions\, 2021)\n\n\n\nBieke Depoorter (@biekedepoorter) received a master’s degree in photography at the Royal Academy of Fine Arts in Ghent in 2009. Three years later she was made a nominee of Magnum Photos\, where she was named a full member in 2016. The relationships Depoorter establishes with the subjects of her photographs lie at the foundation of her artistic practice. Accidental encounters are the starting point\, and how these interactions naturally develop dictates the suite. Several recent projects have been the result of her always questioning the medium itself. Depoorter has won several awards and honors\, including the Magnum Expression Award\, The Larry Sultan Award and the Prix Levallois. She has published five books: Ou Menya\, I am About to Call it a Day\, As it May Be\, and Sète#15\, et al. This year\, Depoorter started her own publishing platform “Des Palais\,” together with Tom Callemin. Deeporter presents her most recent book.
URL:https://10x10photobooks.org/event/salon-59/
CATEGORIES:Salon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220617T130000
DTEND;TZID=America/New_York:20220618T180000
DTSTAMP:20260428T123340
CREATED:20220524T140707Z
LAST-MODIFIED:20220624T164851Z
UID:27087-1655470800-1655575200@10x10photobooks.org
SUMMARY:Pride Parade of Books
DESCRIPTION:Magnum Foundation and 10×10 Photobooks are teaming up to present a two-day informal gathering where you can browse and buy LGBTQ+ photobooks and zines!  \n\n\n\nFriday 1pm–6pm • Saturday 11am–6pm \n\n\n\nAnd be sure to stop by the Printed Matter / St Marks x 8-Ball Community’s East Village Zine Fair on Saturday\, June 18 as well!
URL:https://10x10photobooks.org/event/pride-parade-of-books/
LOCATION:Magnum Foundation\, 59 East 4th Street\, 7W\, New York\, New York\, 10003\, United States
ATTACH;FMTTYPE=image/png:https://10x10photobooks.org/wp-content/uploads/2022/05/pride-02.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220616T130000
DTEND;TZID=America/New_York:20220616T143000
DTSTAMP:20260428T123340
CREATED:20220623T140531Z
LAST-MODIFIED:20221207T202214Z
UID:27100-1655384400-1655389800@10x10photobooks.org
SUMMARY:10x10 Photobooks – 2021 Research Grants Presentation
DESCRIPTION:In 2021\, 10×10 Photobooks awarded its inaugural Research Grants on Photobook History. The focus was on research and scholarship that seeks to fill gaps and provide missing information in the history of women and photobooks from 1843 to 1999. \n\n\n\nWe are very excited to share the results of that research in a virtual event. The three recipients will present the outcomes of their work\, followed by a brief discussion and audience Q&A. \n\n\n\nYasmine Nachabe Taan: Catherine Leroy’s Work in BeirutFaride Mereb: Karmele Leizaola and Venezuelan PublishingUschi Klein: Clara Spitzer and Women Photographers in Communist Romania \n\n\n\nThe program will last approximately 90 minutes. \n\n\n\n>> More info on the grantees
URL:https://10x10photobooks.org/event/2021-research-grants-on-line-presentation/
CATEGORIES:Talk,Virtual Panel
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2022/06/hero-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220615T090000
DTEND;TZID=America/New_York:20220615T100000
DTSTAMP:20260428T123340
CREATED:20220603T143730Z
LAST-MODIFIED:20221207T202253Z
UID:27132-1655283600-1655287200@10x10photobooks.org
SUMMARY:Global Photographies Network—Roundtable Discussion with 10x10
DESCRIPTION:Russet Lederman and Olga Yatskevich participate in a roundtable discussion about What They Saw: Historical Photobooks By Women\, 1843-1999\, with various partnering institutions from the Global Photographies Network\, each bringing their own thoughts and questions into the conversation. \n\n\n\n\n\nZoom Webinar: 97324248603Passcode: 308744
URL:https://10x10photobooks.org/event/global-photographies-network-roundtable-discussion-with-10x10/
CATEGORIES:Talk,Virtual Panel
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220601T183000
DTEND;TZID=America/New_York:20220601T203000
DTSTAMP:20260428T123340
CREATED:20220517T192724Z
LAST-MODIFIED:20220604T214938Z
UID:27044-1654108200-1654115400@10x10photobooks.org
SUMMARY:Salon #58—Alakananda Nag\, Yelena Yemchuk\, Rania Matar
DESCRIPTION:Join us for an in-person salon with photographers Alakananda Nag\, Yelena Yemchuk and Rania Matar. \n\n\n\n*** Proof of vaccination required. All attendees must remain masked. *** \n\n\n\n\nRSVP required\n\n\n\n\nAddress will be provided when RSVP confirmed the week of June 1. \n\n\n\n\n\nAlakananda Nag’s Armenians of Calcutta (self-published\, 2021) is a book of photographs\, text and rare archival material on the Armenian community of Calcutta who were the founders of the city as we know it today — a fact not widely known or accepted. Nag spent a decade on this work — researching\, photographing\, gathering previously unknown\, unseen material\, unique to the community and the city they helped build. Nag worked around the challenge of making this work from absence — of people\, information\, research material\, reconstructing a reality\, the memory of which is at best fractured. The book comes together seamlessly with an array of rich material to create a tableau of a very important community with an unparalleled contribution to an iconic city. \n\n\n\nAlakananda Nag\, Armenians of Calcutta (self-published\, 2021)\n\n\n\nAlakananda Nag (@alkanag) is a photographer\, archivist and writer. She graduated in Documentary Photography and Photojournalism from International Center of Photography in New York. Her first photobook\, the self-published Armenians of Calcutta launched in February 2021 at Printed Matter’s Virtual Art Book Fair; the physical launch outside of India is at ICP’s Photobook Fest 2022. The book has been acquired by the Metropolitan Museum\, SFMOMA and Caluste Gulbenkian Foundation among others. Nag is an Arts Practice grantee of the India Foundation for the Arts. She lives in Goa\, India. \n\n\n\nAlakananda Nag\, Armenians of Calcutta (self-published\, 2021)\n\n\n\n\n\n\n\n“Time is different in Odesa. It’s a city outside of time.” As a child growing up in Kyiv\, Yelena Yemchuk was fascinated by the reputation of Odesa as a free place during Soviet times. The city seemed full of contradictions — “acceptance but also danger. A place of jokes and characters\, populated by outlaws and intellectuals.” She first visited Odesa in 2003 and returned in 2015 to begin to photograph the city and its inhabitants over a period of four years. Odesa (GOST\, 2022) is Yemchuk’s visual ode to the city. \n\n\n\nYelena Yemchuk\, Odesa (GOST\, 2022)\n\n\n\nBorn in Kyiv\, Ukraine\, Yelena Yemchuk (@yemchuk) immigrated to the United States with her parents when she was eleven. She became interested in photography when her father gave her a 35 mm Minolta camera for her fourteenth birthday and she went on to study at both Parsons\, New York and ArtCenter\, Pasadena. Recognized for her surrealistic whimsy and dark romanticism\, Yemchuk has exhibited both paintings and photographs in museums and galleries worldwide. She has shot for The New Yorker\, The New York Times\, Italian Vogue and others. Yemchuk’s previous books include Gidropark (Damiani\, 2011)\, Anna (United Vagabonds\, 2017)\, and Mabel\, Betty & Bette (Kominek\, 2021). \n\n\n\nYelena Yemchuk\, Odesa (GOST\, 2022)\n\n\n\n\n\n\n\nRania Matar‘s She (Radius Books\, 2021) focuses on young women in their late teens and early twenties\, who are leaving the cocoon of home\, entering adulthood and facing a new reality. Depicting women in the United States and the Middle East\, this project highlights how female subjectivity develops in parallel forms across cultural lines. Each young woman becomes an active participant in the image-making process\, presiding over the environment and making it her own. Matar portrays the raw beauty of her subjects—their age\, individuality\, physicality and mystery—and photographs them the way she\, a woman and a mother\, sees them: beautiful\, alive. \n\n\n\nRania Matar\, She (Radius Books\, 2021)\n\n\n\nRania Matar (@raniamatar) was born and raised in Lebanon and moved to the U.S. in 1984. As a Lebanese-born American woman and mother\, her cross-cultural experience and personal narrative inform her photography. Her work has been widely exhibited in museums worldwide and is part of the permanent collections of several museums and institutions. A mid-career retrospective of her work was on view at Cleveland Museum of Art\, Amon Carter Museum\, and American University of Beirut Museum. Matar received several awards including: 2022 Leica Women Foto Project Award\, 2018 Guggenheim Fellowship\, 2017 Mellon Foundation artist-in-residency grant and Massachusetts Cultural Council Artist Fellowships. Her previous books include L’Enfant-Femme (Damiani\, 2016)\, A Girl and Her Room\, (Umbrage 2012) and Ordinary Lives (Quantuck Lane Press\, 2009). \n\n\n\nDust jacket poster from Rania Matar\, She (Radius Books\, 2021)
URL:https://10x10photobooks.org/event/salon-58-alakananda-nag-yelena-yemchuk-rania-matar/
CATEGORIES:Salon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220520T130000
DTEND;TZID=America/New_York:20220520T140000
DTSTAMP:20260428T123340
CREATED:20220406T145736Z
LAST-MODIFIED:20221207T202254Z
UID:26830-1653051600-1653055200@10x10photobooks.org
SUMMARY:Guided Tour of the Rare Books in What They Saw – Fri\, 5/20/2022
DESCRIPTION:Tour and learn Tour and learn about the rare books in the Print & Photo Study Room of the What They See Reading Rooms with Elizabeth Cronin\, the Robert B. Menschel Curator of Photography at NYPL. Some of the books that will be shared are: Laure Albin-Guillot’s Micrographie decorative (1931)\, Adelaide Hanscom\, Rubáiyát of Omar Khayyám (1905)\,  Carrie Mae Weems\, And 22 Million Very Tired and Very Angry People (1992)\, among others. \n\n\n\nAdvanced registration required for both tours and will be open on May 5\, 2022 at 10am.
URL:https://10x10photobooks.org/event/rare-book-tour-5-20-2022/
LOCATION:New York Public Library\, Stephen A. Schwartzman Building\, Room 308\, 476 Fifth Avenue\, New York\, New York\, 10018\, United States
CATEGORIES:Reading Room,Talk
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2022/04/NYPL-WTS-RARE-books-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220519T120000
DTEND;TZID=America/New_York:20220519T130000
DTSTAMP:20260428T123340
CREATED:20220406T145636Z
LAST-MODIFIED:20220414T214855Z
UID:26782-1652961600-1652965200@10x10photobooks.org
SUMMARY:Guided Tour of the Rare Books in What They Saw – Thur.\, 5/19/2022
DESCRIPTION:Tour and learn about the rare books in the Print & Photo Study Room of the What They See Reading Rooms with Elizabeth Cronin\, the Robert B. Menschel Curator of Photography at NYPL. Some of the books that will be shared are: Laure Albin-Guillot’s Micrographie decorative (1931)\, Adelaide Hanscom\, Rubáiyát of Omar Khayyám (1905)\, Carrie Mae Weems\, And 22 Million Very Tired and Very Angry People (1992)\, among others. \n\n\n\nAdvanced registration will be required for both tours and will be open on May 5\, 2022 at 10am.
URL:https://10x10photobooks.org/event/rare-book-tour-5-19-2022/
LOCATION:New York Public Library\, Stephen A. Schwartzman Building\, Room 308\, 476 Fifth Avenue\, New York\, New York\, 10018\, United States
CATEGORIES:Reading Room
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2022/04/NYPL-WTS-RARE-books-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220519T100000
DTEND;TZID=America/New_York:20220521T174500
DTSTAMP:20260428T123340
CREATED:20220330T180244Z
LAST-MODIFIED:20220602T143611Z
UID:26757-1652954400-1653155100@10x10photobooks.org
SUMMARY:What They Saw: Historical Photobooks by Women Reading Rooms @ NYPL
DESCRIPTION:New York Public Library—42nd Street \n\n\n\nCenter for Research in the Humanities (2nd Floor\, 10 am-5:45 pm daily\, free and open to the public without registration)Prints & Photos Study Room (3rd Floor\, Room 308\, 1 pm-5:45 pm daily\, free and advanced registration required by email: photography@nypl.org with subject heading “What They Saw”).\n\n\n\nIn collaboration with 10×10 Photobooks\, the New York Public Library’s Wallach Division of Art\, Prints and Photographs is pleased to host the What They Saw: Historical Photobooks by Women Reading Rooms\, two spaces to browse and view 200 photobooks from 1843 to 1999.  \n\n\n\nA drop-in\, hands-on experience will take place in the Center for Research in the Humanities on the 2nd floor\, with rare books accessible for viewing in the Prints & Photos Study Room in room 308. Both reading rooms are free and open to the public\, but advanced registration is required to visit room 308 by emailing  photography@nypl.org with subject heading “What They Saw.”   \n\n\n\nBelow are What They Saw public events to explore photobooks created by women photographers! \n\n\n\nGuided Tours of the Rare Books in What They SawPrints & Photos Study Room  / Room 308 (3rd floor)Thursday\, May 19 at 12 pmFriday\, May 20 at 12 pmAdvance registration required here.Tour and learn about the rare books in the What They See Reading Rooms with Elizabeth Cronin\, NYPL Wallach Division Assistant Curator of Photography. \n\n\n\nWork/Cited: Rewriting Photobook History to Include WomenWednesday\, 11 May at 1 pmVirtual event. Link here.In this episode of Work/Cited\, The New York Public Library’s series that showcases scholarship supported by the Library’s rich collection\, Wallach Division Assistant Curator Elizabeth Cronin and Olga Yatskevich and Russet Lederman\, co-editors of What They Saw: Historical Photobooks by Women\, 1843–1999\, will discuss women’s involvement in the emergence and development of the photographic book—sharing both well-known books as well as many forgotten examples.  \n\n\n\nWhat They Saw in Bryant Park9-30 May. Link here.On the cafe tables in Bryant Park on the front porches on either side of the main entrance of The New York Public Library\, What They Saw is showcasing images of six historical photobooks by women. Enjoy a warm sunny day in the park while learning about photobooks by women. The use of the park cafe tables is courtesy of the Bryant Park Corporation. \n\n\n\nSpotlight TalksCenter for Research in the Humanities (2nd floor)Thursday\, 19 May; Friday\, 20 May and Saturday\, 21 May at 11:30 am\, 1 pm\, 3:30 pm and 4 pmThroughout the run of the What They Saw Reading Rooms\, experts will present short 15-minute talks on individual photobooks on view. These talks are free and do not require any advance registration—just drop in.  \n\n\n\nSpotlight Talks Schedule \n\n\n\nThursday\, May 19  \n\n\n\n11:30 am: Kelsey Sucena on Putting Myself in the Picture: A Political\, Personal and Photographic Autobiography (1986)1 pm: Chantal Lee on Rosemarie Clausen\, Samuel Beckett Inszeniert das “Endspiel” (Samuel Beckett Stages “Endgame”) (1969)2:30 pm: Emily Walz on Margaret Bourke-White\, You Haven’t Seen Their Faces (1937)4 pm: Deirdre Donohue on Dare Wright\, The Lonely Doll (1957) \n\n\n\n \n\n\n\nFriday\, May 20  \n\n\n\n11:30 am: Dolly Meieran on Susan Meiselas\, Kurdistan: In the Shadow of History (1997)1 pm: Carole Naggar on Hannah Hoch\, Sammelalbum (Album\, 1933)2:30 pm: Karen Sklar on Marianne Wex\, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structures (1979)4 pm: Elizabeth Cronin on Toni Frissell\, A Children’s Garden of Verses (1944)\n\n\n\nSaturday\, May 21  \n\n\n\n11:30 am: Miguel Rosales on Paz Errázuriz\, Amalia (1973\, reprint 2013)1 pm: Jesse Dritz on Carrie Mae Weems\, In these Islands: South Carolina • Georgia (1995)2:30 pm: Anna Jacobson on C. Jane Gover\, The Positive Image: Women Photographers in Turn-of-the-Century America (1988)4 pm: Olga Yatskevich on Alicia D’Amico & Sara Facio\, Buenos Aires\, Buenos Aires (1968)\n\n\n\nThe What They Saw Reading Rooms are supported by an anonymous donor\, Evan Mirapaul\, Stuart Richardson and Grace Jones Richardson Trust. 
URL:https://10x10photobooks.org/event/what-they-saw-reading-room-nypl/
LOCATION:New York Public Library — 42nd Street\, 476 5th Ave\, New York\, New York\, 10018\, United States
CATEGORIES:Reading Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220511T130000
DTEND;TZID=America/New_York:20220511T140000
DTSTAMP:20260428T123340
CREATED:20220329T230445Z
LAST-MODIFIED:20240817T203404Z
UID:26771-1652274000-1652277600@10x10photobooks.org
SUMMARY:Work/Cited: Rewriting Photobook History to Include Women
DESCRIPTION:In this episode\, of the New York Pubic Library’s online Work/Cited program\, NYPL’s Elizabeth Cronin and editors/researchers Olga Yatskevich and Russet Lederman\, co-editors of What They Saw: Historical Photobooks by Women\, 1843–1999\, will discuss women’s involvement in the emergence and development of the photographic book—sharing both well-known books\, as well as many forgotten examples. 
URL:https://10x10photobooks.org/event/works-cited/
CATEGORIES:Talk,Virtual Panel
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220509T000000
DTEND;TZID=America/New_York:20220530T235959
DTSTAMP:20260428T123340
CREATED:20220415T135816Z
LAST-MODIFIED:20220512T213631Z
UID:26960-1652054400-1653955199@10x10photobooks.org
SUMMARY:What They Saw in Bryant Park
DESCRIPTION:On the cafe tables in Bryant Park on the front porches on either side of the main entrance of The New York Public Library\, What They Saw is showcasing images of six historical photobooks by women. Enjoy a warm sunny day in the park while learning about photobooks by women. On view will be books by Anna Atkins\, Germaine Krull\, Eslanda Cardozo Goode Robeson\, Bernice Abbott\, Alicia D’Amico & Sara Facio and Ruiko Yoshida. The use of the park cafe tables is courtesy of the Bryant Park Corporation.
URL:https://10x10photobooks.org/event/wts-bryant-park/
LOCATION:Bryant Park\, 5th Avenue between 40th and 42nd Streets\, New York City\, NY\, 10018\, United States
CATEGORIES:Outdoor Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220426T130000
DTEND;TZID=America/New_York:20220426T143000
DTSTAMP:20260428T123340
CREATED:20220329T163229Z
LAST-MODIFIED:20221207T202310Z
UID:26743-1650978000-1650983400@10x10photobooks.org
SUMMARY:The Photobook Ecosystem: Searching for Sustainable Approaches
DESCRIPTION:Co-presented by 10×10 Photobooks and the Sustainable Photobook Publishing (SPP) Network \n\n\n\nA panel discussion with Loose Joints — Lewis Chaplin & Sarah Piegay Espenon\, Catriona Gourlay (NAL\, V&A)\, Paul John (Jan van Eyck Academie\, Endless Editions) and Tamsin Green (manual.editions\, SPP Network). \n\n\n\nModerated by Amelie Schuele (FOAM) and Daria Tuminas (FOTODOK). \n\n\n\n\n\n\nWhat does sustainability mean for the photobook community? The materials used to make books such as paper\, printing inks and packaging all use valuable resources and industrial processes that create waste and are potentially harmful to the planet. As a creative field with links to many different disciplines\, photobook publishing is well positioned to innovate and challenge publishing industry norms to forge a more sustainable future. Starting from where the YET Issue 12 “Is a Book Worth a Tree?” research ended\, this event is intended to start conversations\, spark new ways of thinking\, and encourage ecologically conscious decision making at each stage of the photobook cycle—design\, making\, distribution\, consumption. \n\n\n\nSupported by Westminster University (Green Fund) and RPS Documentary Group. \n\n\n\nAdditional resources mentioned in the talk:\n\n\n\nSupport Ukrainian photobook makersDavid Joselit’s essay “In Praise of Small”Alternative materials discussed by Paul John: futurematerialsbank.comSPP Network’s Resource List\n\n\n\n\n\n\n\nDaria Tuminas is an independent curator. Since 2019\, she regularly curates for FOTODOK. Between 2017 and 2019\, she headed Unseen Book Market at Unseen Amsterdam. Tuminas obtained a master’s in folklore and mythology at Saint Petersburg State University\, and a master’s in film and photographic studies at Leiden University. She has organized a number of exhibitions and projects in relation to photobooks and regularly contributes texts about photobooks to various media including guest editor of The Photobook Review #12 (Aperture\, 2017); a chapter on Eastern European photobooks in How We See: Photobooks by Women (10×10 Photobooks\, 2018); and in 2020 Tuminas co-wrote “Is a Book Worth a Tree?” for YET issue 12. \n\n\n\nAmelie Schüle is curator and head of public practice at FOAM Amsterdam. Special projects include the solo show Double Portrait by Cemre Yesil at project space MAQAM and Foam Talks\, a monthly podcast focussing on contemporary photography and visual culture. From 2018 until 2020\, she was a curator at Unseen Amsterdam. Before this\, she worked for several years in different commercial galleries in Switzerland including Christophe Guye Galerie and Hauser & Wirth. She obtained a Master’s degree in Curatorial Studies at the Zurich School of the Arts. Schüle co-wrote “Is a Book Worth a Tree?” for YET issue 12. \n\n\n\nLoose Joints is an independent publishing house founded by Sarah Piegay Espenon and Lewis Chaplin in 2014 and based between Marseille and London. Collaborating with leading and emerging artists on contemporary approaches to photography in book form\, Loose Joints circulates new visual perspectives through a dedicated list seeking to elevate underrepresented voices in photographic discourse\, and a holistic approach to publishing from start to finish with all design\, editing and production done in-house. Loose Joints also operates independently as a design studio\, working across publishing and the arts. In 2021 Loose Joints also founded Ensemble: a space dedicated to books\, editions and photography in the heart of Marseille. \n\n\n\nPaul John is an artist who works in abstract photography. Publishing and bookmaking are at the core of his artistic work. Education\, dissemination of skills\, and cultivating a community are elements of that practice. Working at the intersection of printmaking and institution building\, John is the co-founder and former director of Endless Editions (based out of the Robert Blackburn Printmaking Workshop in New York City)\, a publishing and curatorial initiative founded in 2014 with a mission to produce and disseminate books or prints by underrepresented and emerging artists. In 2017 Endless Editions co-produced the first ever Brooklyn Art Book Fair and has been the sole organizer since. BKABF is a free event for both vendors and the public. John is currently the coordinator of the Printing and Publishing Lab at the Jan van Eyck Academie in Maastricht\, NL. \n\n\n\nCatriona Gourlay studied Fine Art in Edinburgh and worked as a Research Resources Assistant at the National Galleries of Scotland before becoming Assistant Curator in the National Art Library at the V&A in 2015. Her recent V&A display\, Landscape and Language in Artists’ Books\, explored how artists since the 1960s have used thought-provoking combinations of word and image to respond to landscape or evoke imaginary places. \n\n\n\nTamsin Green is an English visual artist and architect. In 2021 she established manual.editions to explore environmentally conscious approaches to book making. Through her search for more sustainable practices the Sustainable Photobook Publishing (SPP) Network was born. Green has published two handmade small edition books: Born of the Purest Parents (self-published\, 2018) and this is how the earth must see itself; A walk with Natural Features (manual.editions\, 2021). These books are in public collections\, including the National Art Library at the Victoria and Albert Museum and the Tate. Her books are also available to borrow within the UK via the manual.editions library.
URL:https://10x10photobooks.org/event/the-photobook-ecosystem-searching-for-sustainable-approaches/
CATEGORIES:Talk,Virtual Panel
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220421T183000
DTEND;TZID=America/New_York:20220421T203000
DTSTAMP:20260428T123340
CREATED:20220412T154353Z
LAST-MODIFIED:20220501T131631Z
UID:26933-1650565800-1650573000@10x10photobooks.org
SUMMARY:Salon #57—Accra Shepp
DESCRIPTION:Join us for an in-person salon with photographer Accra Shepp discussing his new photobook\, Radical Justice: Lifting Every Voice (Convoke\, 2022)  \n\n\n\n\n\n\n\nRadical Justice: Lifting Every Voice (Convoke\, 2022)\, Accra Shepp’s first monograph\, brings together two bodies of socially engaged photographic portraiture that document New York City’s Occupy Wall Street movement starting in 2011 and its racial justice/BLM protests since 2020. Working in the style of August Sander with a large-format camera and black-and-white film\, Shepp pictures New Yorkers on their city’s streets in acts of sit-ins and active protest. Both unplanned and highly organized\, as well as independent and unified\, Shepp’s images address notions of the 99% and 1%\, which have come to define the American political vernacular. Bearing witness to defining events of the last decade that echo the United States’ longer historical arch\, Shepp’s empathetic depictions of fellow citizens standing up for the Constitution’s fair protection provide a prophetic mirror of current events\, which reflects back centuries to where the American experiment began\, and suggest where we’ll find ourselves in the years to come. \n\n\n\n\n\n\n\nAccra Shepp was born on the Lower East Side of Manhattan amid the Black Power movement and the cultural change of the 60s. He is a photo-based artist whose work explores our relationship with the natural environment. Shepp’s images have been exhibited worldwide and are in the collections of the Museum of Modern Art\, the Victoria and Albert Museum\, among other institutions. His writings have appeared in The New York Times and the New York Review of Books and the artist’s book Atlas. Shepp’s Windbook\, an artist’s-book installation\, which explored ethnicity and national identity\, was a year-long project where the book was outside\, exposed to the elements with only the wind to turn its pages. He has taught at Princeton\, Columbia\, Wellesley\, and Bowdoin\, and currently teaches at the School of Visual Arts.
URL:https://10x10photobooks.org/event/salon-57/
CATEGORIES:Salon
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220420T130000
DTEND;TZID=America/New_York:20220420T140000
DTSTAMP:20260428T123340
CREATED:20220405T155057Z
LAST-MODIFIED:20221207T202948Z
UID:26788-1650459600-1650463200@10x10photobooks.org
SUMMARY:AIPAD Talk
DESCRIPTION:Join Olga Yatskevich and Russet Lederman\, co-founders of 10×10 Photobooks\, for a virtual discussion about What They Saw: Historical Photobooks by Women\, 1843-1991\, winner of the Paris Photo-Aperture Foundation Photography Catalogue of the Year Award for 2021.
URL:https://10x10photobooks.org/event/aipad-talk/
CATEGORIES:Talk,Virtual Panel
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220331T183000
DTEND;TZID=America/New_York:20220331T203000
DTSTAMP:20260428T123340
CREATED:20220329T225902Z
LAST-MODIFIED:20220329T230144Z
UID:26732-1648751400-1648758600@10x10photobooks.org
SUMMARY:Salon #56 — Justine Kurland\, Laura Larson
DESCRIPTION:Join us for an in-person salon with photographers Justine Kurland and Laura Larson. \n\n\n\n\n\n\nRSVP required\n\n\n\n\nInspired by Valerie Solanas’ iconoclastic feminist tract SCUM (Society for Cutting Up Men) Manifesto\, SCUMB Manifesto (MACK\, 2022) introduces us to photographer Justine Kurland’s uncompromising initiative: the Society for Cutting Up Men’s Books. This volume presents collages Kurland created by cutting up and reconfiguring photobooks by male artists as she went through the process of purging her own library of books by straight white men that have monopolized the photographic canon. Her ritual is restorative and loving: each work is a reclamation of history\, a dismemberment of the patriarchy\, a gender inversion of the usual terms of possession\, and a modest attempt at offsetting a life of income disparity. Kurland is known for her utopian photographs of American landscapes and their fringe communities—these compositions are a continuation of her ongoing project of creating space for women. \n\n\n\nJustine Kurland (@justine4good) studied photography at the School of Visual Arts and Yale University. Recent monographs include Justine Kurland: Girl Pictures (Aperture\, 2020) and The Stick (TIS\, 2021). \n\n\n\n\n\n\n\nCity of Incurable Women (Saint Lucy Books\, 2022) pictures the complex lives of 19th-century women\, diagnosed as suffering from hysteria\, who were hospitalized at the Pitié-Salpêtrière Hospital in Paris. Incorporating a broad range of materials\, Laura Larson‘s second book layers archival imagery with her own photographs and texts\, speculating through the documented accounts of the women’s illness. She imagines the women as a collective\, making a claim for their shared knowledge and the pleasures and risks of escape. Embracing photography’s capacity to feel\, City of Incurable Women sees these women as unruly spirits that haunt the present\, mining the radical possibilities of empathy and resistance. \n\n\n\nLaura Larson (@laura_larson_studio) is a photographer and writer based in Columbus. Her first book\, Hidden Mother (Saint Lucy Books\, 2017)\, was shortlisted for the Aperture-Paris Photo First Photobook Prize.
URL:https://10x10photobooks.org/event/salon-56-justine-kurland-laura-larson/
CATEGORIES:Salon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220302T183000
DTEND;TZID=America/New_York:20220302T203000
DTSTAMP:20260428T123340
CREATED:20220905T190400Z
LAST-MODIFIED:20220901T025058Z
UID:27610-1646245800-1646253000@10x10photobooks.org
SUMMARY:Salon #55 - Anita Pouchard Serra and Matarile Ediciones
DESCRIPTION:2 March 2022: 10×10 hosted a salon with photographer Anita Pouchard Serra and artist / publisher Martha Naranjo Sandoval of Matarile Ediciones with photographer groana melendez at the Center for Book Arts in Manhattan.\n\n\n\nAnita Pouchard Serra\, Espera(nza) (self-published\, 2021). \n\n\n\nAnita Pouchard Serra (@anitapouchardserra) is a French-Argentinian visual storyteller working on stories that affect her personally\, connecting to current societal issues such as identity\, migration and women’s rights via an interdisciplinary approach. Her work has been supported by the Pulitzer Center\, the IWMF\, Open Society Foundations and National Geographic and published in The New York Times\, Bloomberg\, Le Monde and The Washington Post. Pouchard Serra\, who has exhibited worldwide\, is also a visual storytelling teacher and lecturer. \n\n\n\ngroana melendez\, West 176 Street / Martha Naranjo Sandoval\, Sangre de mi Sangre / Cristina Velásquez\, Quiéreme Mucho (Love me a lot) (all Matarile Ediciones\, 2021).\n\n\n\nMatarile Ediciones (@matarileediciones) is an artist-run photobook publisher that focuses on artists who are immigrants\, their children\, or part of a recent diaspora. They are based in Mexico City and Brooklyn\, New York. \n\n\n\nMartha Naranjo Sandoval (@martha_mydear) is a New York-based filmmaker and visual artist from Mexico City. Her work focuses on the materiality of images—in the difference between how time is portrayed in moving and still images—and how images gain significance culturally. She is the founder and director of Matarile Ediciones and works for Dashwood Books. She holds a degree in Film a Television from Centro de Diseño\, Cine y Televisión (Mexico City)\, and an MFA from the International Center of Photography and Bard College. \n\n\n\nLeft: groana melendez\, West 176 Street. Right: Martha Naranjo Sandoval\, Sangre de mi Sangre.\n\n\n\ngroana melendez (@groana)\, raised between New York City and Santo Domingo\, is a lens-based artist whose work explores hybrid identities through self-representation. She holds an MFA in Advanced Photographic Studies from the International Center of Photography-Bard Program and has been part of residencies at Proyecto ‘Ace\, Diaspora Vibe Arts Incubator\, and ARC Athens. She works and lives in the Bronx. \n\n\n\nCorina Reynolds of the Center for Book Arts introduces the salon presenters.\n\n\n\nAnita Pouchard Serra discusses Espera(nza).\n\n\n\nAnita Pouchard Serra\, Martha Naranjo Sandoval and grona melendez.\n\n\n\nA big thank you to Corina Reynolds and Camilo Otero at the Center for Book Arts for hosting this salon.
URL:https://10x10photobooks.org/event/salon-55-anita-pouchard-serra-and-matarile-ediciones/
CATEGORIES:Salon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220209T183000
DTEND;TZID=America/New_York:20220209T203000
DTSTAMP:20260428T123340
CREATED:20220905T185400Z
LAST-MODIFIED:20220901T025058Z
UID:27607-1644431400-1644438600@10x10photobooks.org
SUMMARY:Salon #54 - Luis Weinstein / Photobooks from Chile
DESCRIPTION:9 February 2022: 10×10 hosted a salon on photobooks from Chile with photographer Luis Weinstein in a private home in Manhattan.\n\n\n\nChile Ayer Hoy\, Sergio Larrain’s El rectangulo en la mano and Alfonso Alcalde’s Vivir o morir. \n\n\n\nChilean publications written with photographs have a long tradition of over 150 years and cover a wide range of genres\, from photobook essays to almost hand-made visual poetry\, from political propaganda to large coffee table books to albums edited by private companies. Talented authors\, graphic designers and editors have established an incredibly diverse repertory. Weinstein\, co-editor of Una Revisión al Fotolibro Chileno (A Review of the Chilean Photobook)\, will share his deep knowledge of historical and contemporary photobooks from Chile. \n\n\n\nLuis Weinstein’s Volume No. 2 of Ediciones de fotografia Chilena and Enrique Lihn /E ugenio Dittborn’s Lihn y pompier.\n\n\n\nLuis Weinstein is a documentary photographer and editor\, as well as lecturer and researcher on photography. He has a degree in Communications and a Master’s in Cultural Management. Weinstein founded the South American photomagazine\, Sueño de la Razón. He is the author of ten photobooks and has participated in over 40 exhibitions in diverse venues\, including museums and photo festivals\, since 1977. \n\n\n\nDavid Solo explores some of the Chilean photobooks on view.\n\n\n\nLuis Weinstein showing books.\n\n\n\nBooks on view.\n\n\n\nLuis Weinstein discussing historical Chilean Photobooks.
URL:https://10x10photobooks.org/event/salon-54-luis-weinstein-photobooks-from-chile/
CATEGORIES:Salon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220120T130000
DTEND;TZID=America/New_York:20220120T140000
DTSTAMP:20260428T123340
CREATED:20221005T203100Z
LAST-MODIFIED:20220901T025019Z
UID:27853-1642683600-1642687200@10x10photobooks.org
SUMMARY:INSTAsalon #86 - Rafal Milach and Jörg Colberg
DESCRIPTION:Rafał Milach\, photographer with Jörg Colberg\, writer\, photographer and educator Live from Warsaw and MassachusettsDiscussing STRAJK / STRIKE (Jednostka Gallery\, 2021) \n\n\n\n\n\n\n\n\nhttps://www.instagram.com/tv/CY9n0A9FOLk/
URL:https://10x10photobooks.org/event/instasalon-86-rafal-milach-and-jorg-colberg/
CATEGORIES:INSTAsalon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211209T130000
DTEND;TZID=America/New_York:20211209T140000
DTSTAMP:20260428T123340
CREATED:20221001T202700Z
LAST-MODIFIED:20220901T025020Z
UID:27851-1639054800-1639058400@10x10photobooks.org
SUMMARY:INSTAsalon #85 - Solmaz Daryani and Svetlana Bachevanova
DESCRIPTION:Solmaz Daryani\, photographerwith Svetlana Bachevanova\, founder and director of FotoEvidenceLive from London and New YorkDiscussing Daryani’s The Eyes of Earth (FotoEvidence\, 2021) \n\n\n\n\n\n\n\n\nhttps://www.instagram.com/tv/CXRdy5eFsZn/
URL:https://10x10photobooks.org/event/instasalon-85-solmaz-daryani-and-svetlana-bachevanova/
CATEGORIES:INSTAsalon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211201T130000
DTEND;TZID=America/New_York:20211201T140000
DTSTAMP:20260428T123340
CREATED:20221001T202300Z
LAST-MODIFIED:20220901T025020Z
UID:27849-1638363600-1638367200@10x10photobooks.org
SUMMARY:INSTAsalon #84 - Rich-Joseph Facun
DESCRIPTION:Rich-Joseph Facun\, photographerwith Jasmine Facun\, editor and collaboratorLive from Athens\, OhioDiscussing Black Diamonds (Fall Line Press\, 2021) \n\n\n\n\n\n\n\n\nhttps://www.instagram.com/tv/CW83iMkFg6_/
URL:https://10x10photobooks.org/event/instasalon-84-rich-joseph-facun/
CATEGORIES:INSTAsalon
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211118T103000
DTEND;TZID=America/New_York:20211118T113000
DTSTAMP:20260428T123340
CREATED:20221001T201900Z
LAST-MODIFIED:20220901T025020Z
UID:27847-1637231400-1637235000@10x10photobooks.org
SUMMARY:INSTAsalon #83 - Muhammad Fadli
DESCRIPTION:Muhammad Fadli\, photographer Live from JakartaAuthor of The Banda Journal (Jordan\, jordan Édition\, 2021) \n\n\n\n\n\n\n\n\nhttps://www.instagram.com/tv/CWbIIVblmCk/
URL:https://10x10photobooks.org/event/instasalon-83-muhammad-fadli/
CATEGORIES:INSTAsalon
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2020/03/bandajournal-cover-wp.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211028T130000
DTEND;TZID=America/New_York:20211028T140000
DTSTAMP:20260428T123340
CREATED:20221001T201700Z
LAST-MODIFIED:20220901T025020Z
UID:27845-1635426000-1635429600@10x10photobooks.org
SUMMARY:INSTAsalon #82 - Martina Zanin and Daria Tuminas
DESCRIPTION:Martina Zanin\, visual artist Live from Romewith Daria Tuminas\, curator and writerLive from RotterdamDiscussing Zanin’s I Made Them Run Away (Skinnerboox\, 2021) \n\n\n\n\n\n\n\n\nhttps://www.instagram.com/tv/CVlOELpq7mn/
URL:https://10x10photobooks.org/event/instasalon-82-martina-zanin-and-daria-tuminas/
CATEGORIES:INSTAsalon
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2020/03/i-made-them-run-away.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211022T130000
DTEND;TZID=America/New_York:20211022T140000
DTSTAMP:20260428T123340
CREATED:20221001T201500Z
LAST-MODIFIED:20220901T025020Z
UID:27843-1634907600-1634911200@10x10photobooks.org
SUMMARY:INSTAsalon #81 - Katinka Goldberg and Ethan Rafal
DESCRIPTION:Katinka Goldberg\, visual artist with Ethan Rafal\, artistLive from OsloDiscussing Goldberg’s Bristningar (Journal\, 2021) \n\n\n\n\n\n\n\n\nhttps://www.instagram.com/tv/CVVw8wnqgmE/
URL:https://10x10photobooks.org/event/instasalon-81-katinka-goldberg-and-ethan-rafal/
CATEGORIES:INSTAsalon
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2020/03/bristningar-00.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210721T130000
DTEND;TZID=America/New_York:20210721T140000
DTSTAMP:20260428T123340
CREATED:20221001T201200Z
LAST-MODIFIED:20220901T025020Z
UID:27841-1626872400-1626876000@10x10photobooks.org
SUMMARY:INSTAsalon #80 - Dániel Szalai
DESCRIPTION:Dániel Szalai\, photographer Live from BudapestAuthor of Novogen (The Eriskay Connection\, 2021) \n\n\n\n\n\n\n\n\nhttps://www.instagram.com/tv/CRmSwbBFNEb/
URL:https://10x10photobooks.org/event/instasalon-80-daniel-szalai/
CATEGORIES:INSTAsalon
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2020/03/novogen-e1624543392674.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210715T130000
DTEND;TZID=America/New_York:20210715T140000
DTSTAMP:20260428T123340
CREATED:20221001T200800Z
LAST-MODIFIED:20220901T025020Z
UID:27839-1626354000-1626357600@10x10photobooks.org
SUMMARY:INSTAsalon #79 - Clémentine de la Féronnière
DESCRIPTION:Clémentine de la Féronnière\, publisher and gallerist Live from ParisCo-publisher of James Barnor: The Roadmaker (RRB Photobooks / Maison CF\, 2021) \n\n\n\n\n\n\n\n\nhttps://www.instagram.com/tv/CRW2yxvKrEc/
URL:https://10x10photobooks.org/event/instasalon-79-clementine-de-la-feronniere/
CATEGORIES:INSTAsalon
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2021/07/CouvBarnor_jpg_1400x.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210623T130000
DTEND;TZID=America/New_York:20210623T140000
DTSTAMP:20260428T123340
CREATED:20221001T200000Z
LAST-MODIFIED:20220901T025020Z
UID:27837-1624453200-1624456800@10x10photobooks.org
SUMMARY:INSTAsalon #78 - Jenny Riffle and Molly Landreth
DESCRIPTION:Jenny Riffle\, photographer\, andMolly Landreth\, photographerLive from SeattleCo-authors of It’s Raining…I Love You (Minor Matters\, 2020) \n\n\n\n\n\n\n\n\nhttps://www.instagram.com/tv/CQeNDmjF2gd/
URL:https://10x10photobooks.org/event/instasalon-78-jenny-riffle-and-molly-landreth/
CATEGORIES:INSTAsalon
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2020/03/2020It_sRainingcover2048_600x600-e1623973195800.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210616T170000
DTEND;TZID=America/New_York:20210616T180000
DTSTAMP:20260428T123340
CREATED:20221001T195800Z
LAST-MODIFIED:20220901T024932Z
UID:27835-1623862800-1623866400@10x10photobooks.org
SUMMARY:INSTAsalon #77 - Reynaldo Rivera
DESCRIPTION:Reynaldo Rivera\, photographer\, andLauren Mackler\, curatorLive from Los AngelesDiscussing Rivera’s Provisional Notes for a Disappeared City (Semiotext(e)\, 2020) \n\n\n\n\n\n\n\n\nhttps://www.instagram.com/tv/CQMnL3HF-JH/
URL:https://10x10photobooks.org/event/instasalon-77-reynaldo-rivera/
CATEGORIES:INSTAsalon
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2020/03/reynaldo-rivera-cover.jpeg
END:VEVENT
END:VCALENDAR