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DTSTART;TZID=America/New_York:20260402T180000
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DTSTAMP:20260428T103500
CREATED:20260324T183604Z
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SUMMARY:Political Protest Posters: Salon Discussion with Arthur Fournier\, Adrian Franks and Daylon Orr
DESCRIPTION:Join Printed Matter and 10×10 Photobooks for a salon discussion with archivists\, book dealers\, and artists Arthur Fournier (Arthur Fournier Fine & Rare)\, Adrian Franks\, and Daylon Orr (Fugitive Materials)\, exploring the legacy of political protest posters. \n\n\n\nArthur Fournier is an independent broker specializing in twentieth-century archives and manuscripts. Over the past decade\, he has placed significant collections in the arts\, letters\, and sciences with institutions including the Smithsonian\, the Getty\, Columbia University\, Harvard\, New York University\, Penn State\, Princeton\, Yale\, and the New York Public Library. His recent clients include the Malcolm McLaren estate\, the Arthur Russell estate\, The Wooster Group\, Mudd Club co-founder Steve Mass\, and Leonard Abrams\, founder of the East Village Eye. A member of the Antiquarian Booksellers’ Association of America (ABAA)\, Fournier also buys and sells rare books\, serials\, and ephemera across all fields and genres. His specialties include primary source materials related to visual culture\, the performing arts\, twentieth-century social and cultural movements\, and technologies of printing and the graphic arts. \n\n\n\nAdrian Franks\, known artistically as A.d.FRNK\, is a multidisciplinary artist\, designer\, and creative technologist with over 30 years of experience across design\, advertising\, art\, and emerging technology. Raised in Atlanta\, his career evolved alongside the digital revolution\, leading to work for global brands including Toyota\, Coca-Cola\, and AT&T\, and pioneering projects such as an early Apple Watch app. His creative reach spans film collaborations with Spike Lee\, award-winning design\, and exhibitions at the Smithsonian’s National Museum of American History. Adrian lives and creates in New York City with his wife\, Nicole\, and their son\, Garvey. \n\n\n\nDaylon Orr is an archivist\, bookseller\, and publisher\, and the founder and director of Fugitive Materials. Fugitive Materials organizes\, catalogs\, and places archives\, ephemera\, and primary-source documents with universities and museums around the world. We specialize in global material cultures of resistance: the detritus of radical social movements\, queer histories\, counterculture\, pedagogy\, urbanism\, uprisings\, and art. We also publish books\, zines\, and catalogs\, oftentimes prompted by archival materials we handle. Fugitive Materials is committed to the preservation of queer\, underground\, and oppositional histories through archiving\, publishing\, and bookselling. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\nPrinted Matter Event Page
URL:https://10x10photobooks.org/event/salon-86/
LOCATION:Printed Matter\, 231 11th Ave\, New York\, NY\, 10001\, United States
CATEGORIES:Salon
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ORGANIZER;CN="Printed Matter":MAILTO:info@printedmatter.org
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DTSTART;TZID=America/New_York:20260409T180000
DTEND;TZID=America/New_York:20260409T200000
DTSTAMP:20260428T103500
CREATED:20260402T163028Z
LAST-MODIFIED:20260410T184038Z
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SUMMARY:10×10 Salon with Balarama Heller and Anita Goes
DESCRIPTION:Join us for the next 10×10 Salon with Balarama Heller and Anita Goes\, organized in collaboration with Art in Brackets. \n\n\n\nDuring the salon\, guests will visit the Art in Brackets TriBeCa inaugural exhibition which explores the transatlantic artistic exchange between Africa and Brazil\, highlighting Afro‑diasporic visual languages expressed through photography\, painting\, sculpture\, textiles\, and design. \n\n\n\nAnita Goes (b. 1985) is a Brazilian photographer and curator based in New York\, with over a decade of creative presence in the city. She earned her Bachelor’s Degree from Senac\, The Brazilian School of Art and Photography\, and pursued a diploma in Art History at the Museum of Modern Art São Paulo. \n\n\n\nIn 2017\, Anita was invited to join the Hochschule für Grafik und Buchkunst School of Fine Art in Leipzig\, Germany\, as a Resident Artist\, where she lived and honed her craft for a year. In May 2024\, she founded Art Dialogues Magazine\, further solidifying her dedication to art and dialogue within the industry. \n\n\n\nArt Dialogues Magazine\, Issues #3\n\n\n\nArt Dialogues is a magazine with the goal of expanding art dialogues between Brazil and the world. Goes has been living in New York for a decade\, and despite being far from her homeland\, she sought ways to remain connected to Brazil’s artistic production. This led to the idea of founding a magazine that focuses on artists\, going beyond the final artwork. Through conversations\, it explores the thoughts\, inspirations\, and creative processes of a diverse community of collaborators. \n\n\n\nBalarama Heller (b. 1979\, New York) is a New York City-based transmedium visual artist whose work explores the intersection of spirituality\, myth\, ritual\, and science. Working between abstraction and representational spaces\, Heller’s practice reimagines archetypal symbols\, creating a visual language of preverbal awareness and photographic sublimation. Recent group exhibitions include Illuminations\, curated by Dana Karwas at Yale University’s CCAM (2025)\, and Poetic Record\, curated by Deana Lawson and Michael Famighetti at Princeton University (2024). \n\n\n\nBalarama Heller\, Sacred Place (TIS Books\, 2025)\n\n\n\nBalarama Heller’s Sacred Place was created in the predawn hours\, when the veil between the spiritual and material realms is thinnest. It is a deeply personal yet universally resonant pilgrimage exploring faith\, memory\, and spiritual transformation. Born into the Hare Krishna movement in America\, Balarama Heller grew up within a world of devotion\, ritual\, and upheaval—moving through communes\, countercultures\, and moments of both transcendence and disillusionment. Returning to Vrindavan\, India\, the heart of the religion\, Heller\, guided by Joseph Campbell’s idea that sacred places reveal “eternity shining through time\,” crafts an alchemical tapestry of archetypes both ancient and new. Sacred Place sifts through the magnetism forged by millennia of pilgrims—Heller himself among them—seeking to touch the Infinite glimmering through the present. \n\n\n\nArt in Brackets is a women‑owned cultural consultancy that connects artists\, galleries\, and institutions with the creative ecosystem of New York City. Founded in 2022 by Lu Solano and Maria Fernanda Mazzuco\, the organization specializes in cultural translation\, art advising\, residencies\, exhibition production\, and public programs that foster community engagement and meaningful collaborations. \n\n\n\nSpecial thanks to Terra Sancta for the wine sponsorship; helping to bright up this beautiful night!
URL:https://10x10photobooks.org/event/salon-87/
LOCATION:Art in Brackets\, 46 Walker Street\, New York\, New York
CATEGORIES:Salon
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DTSTART;TZID=America/New_York:20260425T120000
DTEND;TZID=America/New_York:20260426T180000
DTSTAMP:20260428T103500
CREATED:20260422T134155Z
LAST-MODIFIED:20260422T134420Z
UID:32008-1777118400-1777226400@10x10photobooks.org
SUMMARY:Other Islands Book Fair in Brooklyn
DESCRIPTION:Join 10×10 Photobooks and friends at the Other Islands Book Fair!Saturday\, 25 April12 pm – 8 pm  \n\n\n\nSunday\, 26 April12 pm – 6 pm 
URL:https://10x10photobooks.org/event/other-islands-book-fair/
LOCATION:Other Island Book Fair / Pfizer Building\, 630 Flushing Ave\, Brooklyn\, New York\, United States
CATEGORIES:Book Fair
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DTSTART;TZID=America/New_York:20260513T180000
DTEND;TZID=America/New_York:20260513T191500
DTSTAMP:20260428T103500
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SUMMARY:History Repeats Itself: Curating Protest
DESCRIPTION:Curators Maggie Mustard and La Tanya Autry discuss how protest and resistance materials are selected\, organized\, and presented in museums and libraries. Moderated by Deirdre Donohue. \n\n\n\nHosted by the Miriam and Ira D. Wallach Division of Art\, Prints and Photographs at The New York Public Library in association with Printed Matter. \n\n\n\nPresented in collaboration with Flashpoint! Protest Photography in Print\, a traveling reading room exhibition at Printed Matter organized by 10×10 Photobooks. Curators in the Library’s two photography divisions discuss how protest and resistance materials and archives are collected\, organized\, and shared with the public. They will explore the challenges of shaping exhibitions around grassroots social movements\, as well as how these collections are preserved within institutions and made accessible. \n\n\n\nFeaturing presentations by Associate Curator in the Division of Photographs and Prints at the Schomburg Center La Tanya S. Autry and Assistant Curator of Photography Maggie Mustard\, with a panel to follow moderated by Assistant Director of the Miriam and Ira D. Wallach Division of Art\, Prints and Photographs Deirdre Donohue. \n\n\n\nABOUT THE SPEAKERS \n\n\n\nLa Tanya S. Autry is the Associate Curator of the Division of Photographs and Prints at the Schomburg Center for Research in Black Culture. As an art historian with a specialty in photography\, Black Studies\, and museum studies\, she has created essays\, exhibitions\, and programs focused on historical and current issues of Black life\, memory\, and ethical curatorial praxis. Before joining The New York Public Library\, she co-produced Museums Are Not Neutral\, a global movement that disavows propaganda that claims museums exist outside of historical and social production. Presently La Tanya is co-curating an exhibition featuring the work of Black women artists that will be on view September 2026 at the Schomburg Center. \n\n\n\nMaggie Mustard is Assistant Curator of Photography in the Miriam and Ira D. Wallach Division of Art\, Prints and Photographs at The New York Public Library. She earned her PhD in Art History and Archaeology from Columbia University\, where her dissertation focused on Japanese postwar photographer Kawada Kikuji. Previous professional roles include the Marcia Tucker Senior Research Fellow at the New Museum of Contemporary Art and Visiting Assistant Professor at Wesleyan University. Recent exhibitions curated or co-curated at the NYPL include New York Subways 1977: Alen MacWeeney (2023)\, and The Awe of the Arctic: A Visual History (2024). Her upcoming exhibition The Art of Declaration\, part of the NYPL’s initiative commemorating the 250th anniversary of the American Revolution\, will open to the public in June 2026. \n\n\n\nDeirdre Donohue\, the Assistant Director of the Miriam and Ira D. Wallach Division of Art\, Prints\, and Photographs at The New York Public Library\, previously served as the Stephanie Shuman Director of Library\, Archives\, and Museum Collections at the International Center of Photography\, Graduate Faculty of both Pratt Institute’s School of Information and ICP/Bard’s Masters Program in Advanced Photographic Studies\, as a Board Member of 10X10 Photobooks\, Advisory Board of Penumbra Foundation\, and was the Guest Editor of Aperture’s Photobook Review 014.
URL:https://10x10photobooks.org/event/salon-88/
LOCATION:New York Public Library — 42nd Street\, 476 5th Ave\, New York\, New York\, 10018\, United States
CATEGORIES:Talk
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