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DTSTART;TZID=America/New_York:20260425T120000
DTEND;TZID=America/New_York:20260426T180000
DTSTAMP:20260427T230358
CREATED:20260422T134155Z
LAST-MODIFIED:20260422T134420Z
UID:32008-1777118400-1777226400@10x10photobooks.org
SUMMARY:Other Islands Book Fair in Brooklyn
DESCRIPTION:Join 10×10 Photobooks and friends at the Other Islands Book Fair!Saturday\, 25 April12 pm – 8 pm  \n\n\n\nSunday\, 26 April12 pm – 6 pm 
URL:https://10x10photobooks.org/event/other-islands-book-fair/
LOCATION:Other Island Book Fair / Pfizer Building\, 630 Flushing Ave\, Brooklyn\, New York\, United States
CATEGORIES:Book Fair
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260409T180000
DTEND;TZID=America/New_York:20260409T200000
DTSTAMP:20260427T230358
CREATED:20260402T163028Z
LAST-MODIFIED:20260410T184038Z
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SUMMARY:10×10 Salon with Balarama Heller and Anita Goes
DESCRIPTION:Join us for the next 10×10 Salon with Balarama Heller and Anita Goes\, organized in collaboration with Art in Brackets. \n\n\n\nDuring the salon\, guests will visit the Art in Brackets TriBeCa inaugural exhibition which explores the transatlantic artistic exchange between Africa and Brazil\, highlighting Afro‑diasporic visual languages expressed through photography\, painting\, sculpture\, textiles\, and design. \n\n\n\nAnita Goes (b. 1985) is a Brazilian photographer and curator based in New York\, with over a decade of creative presence in the city. She earned her Bachelor’s Degree from Senac\, The Brazilian School of Art and Photography\, and pursued a diploma in Art History at the Museum of Modern Art São Paulo. \n\n\n\nIn 2017\, Anita was invited to join the Hochschule für Grafik und Buchkunst School of Fine Art in Leipzig\, Germany\, as a Resident Artist\, where she lived and honed her craft for a year. In May 2024\, she founded Art Dialogues Magazine\, further solidifying her dedication to art and dialogue within the industry. \n\n\n\nArt Dialogues Magazine\, Issues #3\n\n\n\nArt Dialogues is a magazine with the goal of expanding art dialogues between Brazil and the world. Goes has been living in New York for a decade\, and despite being far from her homeland\, she sought ways to remain connected to Brazil’s artistic production. This led to the idea of founding a magazine that focuses on artists\, going beyond the final artwork. Through conversations\, it explores the thoughts\, inspirations\, and creative processes of a diverse community of collaborators. \n\n\n\nBalarama Heller (b. 1979\, New York) is a New York City-based transmedium visual artist whose work explores the intersection of spirituality\, myth\, ritual\, and science. Working between abstraction and representational spaces\, Heller’s practice reimagines archetypal symbols\, creating a visual language of preverbal awareness and photographic sublimation. Recent group exhibitions include Illuminations\, curated by Dana Karwas at Yale University’s CCAM (2025)\, and Poetic Record\, curated by Deana Lawson and Michael Famighetti at Princeton University (2024). \n\n\n\nBalarama Heller\, Sacred Place (TIS Books\, 2025)\n\n\n\nBalarama Heller’s Sacred Place was created in the predawn hours\, when the veil between the spiritual and material realms is thinnest. It is a deeply personal yet universally resonant pilgrimage exploring faith\, memory\, and spiritual transformation. Born into the Hare Krishna movement in America\, Balarama Heller grew up within a world of devotion\, ritual\, and upheaval—moving through communes\, countercultures\, and moments of both transcendence and disillusionment. Returning to Vrindavan\, India\, the heart of the religion\, Heller\, guided by Joseph Campbell’s idea that sacred places reveal “eternity shining through time\,” crafts an alchemical tapestry of archetypes both ancient and new. Sacred Place sifts through the magnetism forged by millennia of pilgrims—Heller himself among them—seeking to touch the Infinite glimmering through the present. \n\n\n\nArt in Brackets is a women‑owned cultural consultancy that connects artists\, galleries\, and institutions with the creative ecosystem of New York City. Founded in 2022 by Lu Solano and Maria Fernanda Mazzuco\, the organization specializes in cultural translation\, art advising\, residencies\, exhibition production\, and public programs that foster community engagement and meaningful collaborations. \n\n\n\nSpecial thanks to Terra Sancta for the wine sponsorship; helping to bright up this beautiful night!
URL:https://10x10photobooks.org/event/salon-87/
LOCATION:Art in Brackets\, 46 Walker Street\, New York\, New York
CATEGORIES:Salon
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260402T180000
DTEND;TZID=America/New_York:20260402T200000
DTSTAMP:20260427T230358
CREATED:20260324T183604Z
LAST-MODIFIED:20260406T132647Z
UID:31897-1775152800-1775160000@10x10photobooks.org
SUMMARY:Political Protest Posters: Salon Discussion with Arthur Fournier\, Adrian Franks and Daylon Orr
DESCRIPTION:Join Printed Matter and 10×10 Photobooks for a salon discussion with archivists\, book dealers\, and artists Arthur Fournier (Arthur Fournier Fine & Rare)\, Adrian Franks\, and Daylon Orr (Fugitive Materials)\, exploring the legacy of political protest posters. \n\n\n\nArthur Fournier is an independent broker specializing in twentieth-century archives and manuscripts. Over the past decade\, he has placed significant collections in the arts\, letters\, and sciences with institutions including the Smithsonian\, the Getty\, Columbia University\, Harvard\, New York University\, Penn State\, Princeton\, Yale\, and the New York Public Library. His recent clients include the Malcolm McLaren estate\, the Arthur Russell estate\, The Wooster Group\, Mudd Club co-founder Steve Mass\, and Leonard Abrams\, founder of the East Village Eye. A member of the Antiquarian Booksellers’ Association of America (ABAA)\, Fournier also buys and sells rare books\, serials\, and ephemera across all fields and genres. His specialties include primary source materials related to visual culture\, the performing arts\, twentieth-century social and cultural movements\, and technologies of printing and the graphic arts. \n\n\n\nAdrian Franks\, known artistically as A.d.FRNK\, is a multidisciplinary artist\, designer\, and creative technologist with over 30 years of experience across design\, advertising\, art\, and emerging technology. Raised in Atlanta\, his career evolved alongside the digital revolution\, leading to work for global brands including Toyota\, Coca-Cola\, and AT&T\, and pioneering projects such as an early Apple Watch app. His creative reach spans film collaborations with Spike Lee\, award-winning design\, and exhibitions at the Smithsonian’s National Museum of American History. Adrian lives and creates in New York City with his wife\, Nicole\, and their son\, Garvey. \n\n\n\nDaylon Orr is an archivist\, bookseller\, and publisher\, and the founder and director of Fugitive Materials. Fugitive Materials organizes\, catalogs\, and places archives\, ephemera\, and primary-source documents with universities and museums around the world. We specialize in global material cultures of resistance: the detritus of radical social movements\, queer histories\, counterculture\, pedagogy\, urbanism\, uprisings\, and art. We also publish books\, zines\, and catalogs\, oftentimes prompted by archival materials we handle. Fugitive Materials is committed to the preservation of queer\, underground\, and oppositional histories through archiving\, publishing\, and bookselling. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\nPrinted Matter Event Page
URL:https://10x10photobooks.org/event/salon-86/
LOCATION:Printed Matter\, 231 11th Ave\, New York\, NY\, 10001\, United States
CATEGORIES:Salon
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ORGANIZER;CN="Printed Matter":MAILTO:info@printedmatter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260323T235900
DTEND;TZID=America/New_York:20260323T235900
DTSTAMP:20260427T230358
CREATED:20260322T211550Z
LAST-MODIFIED:20260324T040844Z
UID:31878-1774310340-1774310340@10x10photobooks.org
SUMMARY:10×10 Research Grants: Cycle 5 (2026-2027) — Submissions Now Closed.
DESCRIPTION:The deadline for submissions for the research grants is midnight ET\, Monday\, 23 March 2026. \n\n\n\n\nApply Here\n\n\n\n\n10×10 Photobooks is pleased to announce a new grant cycle and call for applications as part of its annual photobook research grants program to encourage and support scholarship on under-explored topics in photobook history. \n\n\n\nFor this cycle\, 10×10 is looking for submissions related to 10×10 Photobooks’ forthcoming publication on the history of photobooks from Africa and its diaspora. We invite proposals for photobook research on Black identity\, Africa and the African diaspora. The concept of the photobook for your study can be interpreted in the broadest sense possible: classic bound books\, portfolios\, personal albums\, unpublished books\, zines\, digital media\, scrapbooks\, posters\, or other ephemera. The evaluation of proposals will consider the importance of the proposed topic\, how significant and/or unknown is the subject\, and the strength of the proposed approach. \n\n\n\nThe Grant \n\n\n\n10×10 Photobooks will award three grants for this 5th cycle for 2026-2027 cycle in the amount of $2\,500 each\, which will be paid in two increments during the course of the project. \n\n\n\nGrantee Expectations \n\n\n\nGrantees are expected to present the result of their research in a 15 to 20-minute Zoom presentation along with an approximate 1500 word printed essay\, including illustrations and photographs. Final research needs to be in English and will be due within a year of the grant being awarded. \n\n\n\n10×10 will assist where able and desired with in-progress review\, identifying information\, making introductions\, etc. Please note that this grant is for research purposes and not for funding of the making of a photobook. \n\n\n\nApplication process \n\n\n\n\nApplicants must complete the grant form in English.  The application includes a description of the project (less than 1000 words) and a brief bio and must be submitted by midnight ET on 23 March 2026.  If there are multiple applicants on the proposal\, information on additional researchers may be included in the Notes field.\n\n\n\nThere is no fee for applying.\n\n\n\nGrant awards will be announced in May 2026\n\n\n\n\nProgram Rules \n\n\n\nGrantees retain all rights to their work and are free to submit or use the results of their research as they wish with other platforms and programs so long as they acknowledge that support for initial research was provided by 10×10.  10×10 has the right to share the results on their website and platforms. \n\n\n\nApplicants may submit multiple proposals\, and a single application may include multiple researchers (note that the grant amount is for the entire project\, not per researcher). \n\n\n\nThe program is open to anyone (researchers\, writers\, editors\, curators\, etc.) regardless of organizational affiliation\, academic status or discipline\, or nationality. \n\n\n\nApplicants should not have a pre-existing grant for the specific work being proposed.  Priority is given to new research (not currently funded). If there is existing support applicants should describe that support in the Notes field along with how the proposed research differs from that already funded. \n\n\n\nFor questions contact Marjorie Ornston at  grants@10x10photobooks.org \n\n\n\nThe Jurors: \n\n\n\n\nAmy Sall is a writer\, researcher\, collector-archivist\, and cultural advisor based in New York\, specializing in photography\, cinema\, and visual culture from Africa and its diasporas. She is the author of The African Gaze: Photography\, Cinema and Power (Thames & Hudson\, 2024)\, a comprehensive study of postcolonial and contemporary image-making in Africa. Sall is the founding editor of SUNU: Journal of African Affairs\, Critical Thought + Aesthetics\, and founder of The Sall Collection\, a private assemblage of vernacular photography\, printed matter\, and ephemera with a pan-African focus. She previously taught at The New School’s Eugene Lang College of Liberal Arts. As a cultural advisor and strategist\, she partners with initiatives that advance African and diasporic artistic production and preservation. Her postdisciplinary practice fosters ethical\, critical\, and accessible engagement with African arts\, memory work\, and culture. \n\n\n\n \n\n\n\n\n\nDiane Frankel has twenty-five years of experience in the non-profit arena\, serving as the director of graduate programs in museum studies at John F. Kennedy University and the founding director of the Bay Area Discovery Museum. As a presidential appointee of President Clinton\, she headed the Institute of Museum and Library Services in Washington\, DC. Frankel has served as a consultant to arts and cultural organizations\, as an affiliate of Management Consultants for the Arts and as the Executive Director of the Artists’ Legacy Foundation. Ms. Frankel was president of Arttable (2003-2005) and served as chair of the San Francisco Art Institute Board of Trustees (2010- 2013) and on the Alliance of Artists Communities Board of Trustees. Frankel is a member of the board of the Museum of the African Diaspora and was a member of the Tate African Art Council and the National Museum of African Art of the Smithsonian. She is the chair of the George Rickey Foundation and a member of the Jay DeFeo Foundation. \n\n\n\n \n\n\n\n\n\nMariama Attah is a curator\, writer and lecturer with a particular interest in overlooked visual histories\, and understanding how photography and visual culture can be used to amplify underrepresented voices and close the gap between art and audiences. Attah is currently Exhibitions Lead at National Museums Liverpool. Previous roles include Director of Metal Culture Liverpool\, Associate Curator for Art Collection Deutsche Börse\, Curator at National Portrait Gallery\, Head of Exhibitions at Open Eye Gallery\, Liverpool\, Editor of Foam Magazine\, Curator at Photoworks\, and Commissioning and Managing Editor of the yearly magazine Photoworks Annual. \n\n\n\n \n\n\n\n\nMarjorie Ornston\, Grants Director\, coordinates the Research Grants in Photobook History program with assistance from 10×10 work-scholars. David Solo is our Grants Director Emeritus. \n\n\n\n10×10’s Research Grants for Cycle 5 (2026-2027) are generously underwritten by Frédérique Destribats\, Richard Sun and the Grace Jones Richardson Family Trust.
URL:https://10x10photobooks.org/event/10x10-research-grants-cycle-5-calendar-call/
LOCATION:New York
CATEGORIES:Call for Submission
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ORGANIZER;CN="10x10 Photobooks":MAILTO:grants@10x10photobooks.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260218T180000
DTEND;TZID=America/New_York:20260218T200000
DTSTAMP:20260427T230358
CREATED:20260204T193956Z
LAST-MODIFIED:20260219T210145Z
UID:31707-1771437600-1771444800@10x10photobooks.org
SUMMARY:10×10×MF Photobooks Salon with Isadora Romero and Sofía Granados Dyer
DESCRIPTION:Please join 10×10 Photobooks and the Magnum Foundation for a salon with Isadora Romero and Sofía Granados Dyer on Wednesday\, 18 February from 6 to 8 pm at the Magnum Foundation\, 59 East 4th Street\, 7th Floor\, New York City \n\n\n\nIsadora Romero (@isadoraromerophoto) is an Ecuadorian independent visual storyteller based in Quito. Her work moves between documentary and artistic photography\, focusing on social justice\, gender\, environment\, and agrobiodiversity in Latin America. She is co-founder of Ruda\, a collective of Latin American women photographers. Her work has been exhibited across Latin America\, Europe\, and Africa. She has been awarded by C/O Berlin\, Les Rencontres d’Arles\, World Press Photo\, and POY Latam\, and has received fellowships from Magnum Foundation\, Prince Claus Fund\, National Geographic\, and World Press Photo. She is the author of the photobook Un Movimiento para poder verte (Moving\, to See You\, 2025). \n\n\n\nA living\, though inexact\, memory guides the steps of Isadora Romero P. in her search to uncover the family heritage that flows through her veins—one that also allows her to enter into a discussion as ancient as it is current: the loss of the cultural\, ecological\, and symbolic diversity of seeds as a consequence of capitalist modernity. Led by a luminous image—that of her great-great-grandmother Fulgencia Pisco—the photographer embarks on an inquiry into seeds as sources of life\, resistance\, and affective repair. Winner of the 2024 Nuevo Mariano Aguilera Award in the Publication category\, Un Movimiento para poder verte (Moving\, to See You. Severo Editorial\, 2025) gathers a body of work that took more than six years to complete and spanned four countries (Paraguay\, Ecuador\, Colombia\, and Mexico)\, where Isadora investigates the social and personal conflicts arising from the processes of loss and recovery of ancestral knowledge\, as well as the tensions between intimate memory and global conservation policies. \n\n\n\nIsadora Romero\, Un Movimiento para poder verte (Moving\, to See You\, Severo Editorial\, 2025)\n\n\n\nSofía Granados Dyer (@phtsdr_books) co-edits EBB\, a bilingual Russian-English publication responding to fascism around the world. Drawing from the rich samizdat tradition\, each book is made entirely by hand and distributed through grassroots networks. EBB is also a charity project with every cent going directly to victims of war\, incarceration\, and political violence. Apart from EBB\, Granados Dyer directs public programming at picturehouse + thesmalldarkroom in NYC. In this role\, she has interviewed photographers including Rahim Fortune\, Matt Black\, Yelena Yemchuk and Daniel Arnold. \n\n\n\nGranados Dyer is excited to discuss EBB Issue 2 and Issue 3\, both of which offer insight into censorship\, moral clarity\, and the limits of representation. EBB Issue 2: What Have We Done(2023) was created in direct response to Russia’s full-scale invasion of Ukraine. The publication explores fascism\, imperialism\, and moral responsibility across media.  EBB Issue 3: Strength of Materials (2025) takes its title from a branch of engineering developed by Ukrainian engineer Stepan Tymoshenko\, which analyzes how much stress physical materials can sustain before collapsing. Released in the fall of 2025\, the publication reflects on the perseverance of activism and artistic expression in the face of indefinitely prolonged political crises. \n\n\n\nGranados Dyer will additionally share maquettes and photographs from work in progress. Among them is a photo project that deals with the violent history of crash test dummies\, as well as an artist’s book exploring material and psychological deformity in connection to Christian liturgy. \n\n\n\nSofía Granados Dyer\, EBB Issue 3: Strength of Materials (2025)
URL:https://10x10photobooks.org/event/salon-85/
LOCATION:Magnum Foundation\, 59 East 4th Street\, 7W\, New York\, New York\, 10003\, United States
CATEGORIES:Salon
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251121T080000
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260427T230358
CREATED:20251122T101742Z
LAST-MODIFIED:20251217T185950Z
UID:31378-1763712000-1763830800@10x10photobooks.org
SUMMARY:Fall of Freedom
DESCRIPTION:Flashpoint! Reading Room @ Museum of Fine Arts\, Houston joins nationwide expression of creative resistance. \n\n\n\nFall of Freedom is an urgent call to the arts community to unite in defiance of authoritarian forces sweeping the nation. Our Democracy is under attack. Threats to free expression are rising. Dissent is being criminalized. Institutions and media have been recast as mouthpieces of propaganda. More information about the project and how to get involved: falloffreedom.com
URL:https://10x10photobooks.org/event/fall-of-freedom/
LOCATION:New York
CATEGORIES:Reading Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251009T183000
DTEND;TZID=America/New_York:20251009T193000
DTSTAMP:20260427T230358
CREATED:20250909T150200Z
LAST-MODIFIED:20251010T225910Z
UID:31049-1760034600-1760038200@10x10photobooks.org
SUMMARY:Danny Lyon: Conversation with a Photobook Maker
DESCRIPTION:The Museum’s Hirsch Library brings together Danny Lyon and Russet Lederman to explore the impact that Lyon’s work has made on both our culture at large and the development of photobooks as a genre.  \n\n\n\nDanny Lyon is among the most influential documentary photographers of the past six decades. Known for his immersive approach\, Lyon’s intensive investigations have resulted in numerous seminal photobooks on subjects as diverse as the Civil Rights Movement\, a Chicago motorcycle club\, the destruction of Lower Manhattan\, Native American reservations\, and the Texas prison system. Lyon is joined in this conversation by Russet Lederman\, New York City-based writer\, editor\, photobook collector\, and co-founder of 10×10 Photobooks. Lederman is co-coordinator of the Flashpoint! exhibition.  \n\n\n\nThis conversation is offered in conjunction with the opening of Flashpoint! Protest Photography in Print\, 1950-Present\, an exhibition and reading room that presents a global selection of photobooks\, zines\, posters\, pamphlets\, independent journals\, and alternative newspapers addressing protest and resistance from the past 75 years. \n\n\n\nA book signing and opening reception for the Flashpoint! exhibition follow in the Hirsch Library.
URL:https://10x10photobooks.org/event/danny-lyon-conversation-with-a-photobook-maker/
LOCATION:Hirsch Library / Museum of Fine Arts\, Houston\, 1001 Bissonnet\, Houston\, Texas\, 77005\, United States
CATEGORIES:Talk
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/09/SMFAH-FP-DannyLyon-banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251009T110000
DTEND;TZID=America/New_York:20260124T190000
DTSTAMP:20260427T230358
CREATED:20250924T152312Z
LAST-MODIFIED:20260211T133604Z
UID:31096-1760007600-1769281200@10x10photobooks.org
SUMMARY:Flashpoint! Protest Photography in Print Reading Room @ Museum of Fine Arts\, Houston
DESCRIPTION:Flashpoint! Protest Photography in Print\, 1950–Present is a reading room exhibition focusing on global protest photography in print through a presentation of photobooks\, zines\, posters\, pamphlets\, independent journals\, and alternative newspapers that address protest and resistance from the 1950s to the present. Since its inception\, photography has captured key historical moments and served as both a tool and a document of political protest. By placing photobooks in conversation with posters\, DIY zines\, and independent journals\, Flashpoint! explores the diverse roles and aesthetics of the medium in its support of protest and resistance. This hands-on reading room was organized by 10×10 Photobooks\, a non-profit organization that fosters engagement with the global photobook community.  \n\n\n\nAll the books on view in this reading room come from the permanent collection of the Hirsch Library. \n\n\n\nLibrary Hours:Wednesday and Friday\, 11 am to 5 pmThursday\, 11 am to 7 pm Saturday\, 12 pm to 5 pm \n\n\n\nRelated Event9 October at 6:30 pm / Danny Lyon: Conversation with a Photobook Maker
URL:https://10x10photobooks.org/event/flashpoint-mfah/
LOCATION:Hirsch Library / Museum of Fine Arts\, Houston\, 1001 Bissonnet\, Houston\, Texas\, 77005\, United States
CATEGORIES:Reading Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251002T120000
DTEND;TZID=America/New_York:20251005T170000
DTSTAMP:20260427T230358
CREATED:20250909T165257Z
LAST-MODIFIED:20251007T131349Z
UID:31086-1759406400-1759683600@10x10photobooks.org
SUMMARY:ICP Photobook Fest
DESCRIPTION:Join 10×10 Photobooks at the ICP Photobook Fest! \n\n\n\nThe 2025 ICP Photobook Fest hosts over 70 publishers and vendors selling and promoting photography books\, magazines\, and zine publications during a three-day weekend event welcoming over 2\,500 visitors to ICP’s center on the Lower East Side. \n\n\n\nThursday\, 2 October 6 PM – 9 PMFriday\, 3 October10:30 AM – 6:30 PM \n\n\n\nSaturday\, 4 October10:30 AM – 6:30 PMSunday\, 5 October11 AM – 5 PM
URL:https://10x10photobooks.org/event/icp-photobook-fest-2025/
LOCATION:International Center of Photography\, 84 Ludlow Street\, New York\, New York\, United States
CATEGORIES:Book Fair
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250915T080000
DTEND;TZID=America/New_York:20251121T170000
DTSTAMP:20260427T230358
CREATED:20250907T190026Z
LAST-MODIFIED:20251217T190021Z
UID:31041-1757923200-1763744400@10x10photobooks.org
SUMMARY:How We See What They Saw
DESCRIPTION:A “Micro” Reading Room of Photobooks by Women at George Mason University. Inspired by 10×10 Photobooks’ How We See: Photobooks by Women (2017) and What They Saw: Historical Photobooks by Women\, 1843-1999. \n\n\n\nIn 1843\, the British botanist Anna Atkins published her photographs of algae\, creating the first photographically illustrated book. Since then\, women have continued to make significant and important contributions to the medium\, but these works are often undervalued or unrecognized.  \n\n\n\nInspired by the 10×10 Photobooks exhibitions and publications How We See: Photobooks by Women (2018) and What They Saw: Historical Photobooks by Women\, 1843-1999 (2021)\, Fenwick Gallery will host a reading room showcasing photobooks by women and non-binary artists selected from the University Library’s collections.   \n\n\n\nFeaturing self-published works from small presses to trade editions and exhibition catalogs from commercial publishers\, How We See What They Saw includes over 80 photobooks and monographs\, dating from 1843 to 2025\, which highlight the dynamic contributions women around the world have made to photography and the photobook medium.  \n\n\n\nThe How We See What They Saw micro-reading room draws from the holdings and special collections at the George Mason University Libraries and was realized at the university’s Fenwick Gallery by J Carrier\, Stephanie H. Grimm\, Donald H. Russell\, Liz Louise Johnson\, Michael McDermott\, Jeffrey Kenney and Ben Bowen with thanks to: Zoë Charlton\, Anne Osterman\, Lynn Eaton and the staff of the Fenwick Library Access Services team.
URL:https://10x10photobooks.org/event/hwswts-georgemason/
LOCATION:George Mason University\, 4400 University Drive\, Fairfax\, Virginia\, 22030\, United States
CATEGORIES:Reading Room
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/09/HWSWTS-georgeMason-banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250911T000000
DTEND;TZID=America/New_York:20250914T235959
DTSTAMP:20260427T230358
CREATED:20250909T180037Z
LAST-MODIFIED:20250917T130803Z
UID:31034-1757548800-1757894399@10x10photobooks.org
SUMMARY:Printed Matter's New York Art Book Fair 2025
DESCRIPTION:Join 10×10 Photobooks at Printed Matter’s New York Art Book Fair this week:Table H8 \n\n\n\nWe will be showcasing our Flashpoint! Protest Photography in Print anthology and many of the contemporary and rare protest books\, zines and newspapers found within its pages! \n\n\n\nContemporary and rare books / zines by: All Japan Students Photo Association\, Mariette Pathy Allen\, The Archive of Public Protests\, Ruth-Marion Baruch and Pirkle Jones\, Julien Besançon\, Julio Cesar Cardoso\, Solmaz Daryani\, David Douglas Duncan\, Robert Dunn\, Thana Faroq\, Harrell Fletcher\, Leonard Freed\, Kikujiro Fukushima\, Rosa Gauditano\, Kris Graves\, Anthony Howarth\, Bun’yo Ishikawa\, Masamitsu Kurakawa\, Eugene Richards\, Jordan Seiler\, W. Eugene Smith and Aileen M. Smith\, Hitomi Watanabe\, Ruvan Wijesooriya\, Ashima Yadava and Koh Yoshioka. \n\n\n\nFair HoursThursday\, 11 September: 7–10 PMFriday\, 12 September: 11 AM – 7 PMSaturday\, 13 September: 11 AM – 7 PMSunday\, 14 September: 12–6 PM
URL:https://10x10photobooks.org/event/nyabf-2025/
LOCATION:MoMA PS 1\, 22-25 Jackson Avenue\, Long Island City\, New York\, 11101\, United States
CATEGORIES:Book Fair
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/09/NYABF25_WebBanner-1024.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250712T110000
DTEND;TZID=America/New_York:20250810T170000
DTSTAMP:20260427T230358
CREATED:20250702T155736Z
LAST-MODIFIED:20250811T223103Z
UID:30900-1752318000-1754845200@10x10photobooks.org
SUMMARY:Speak Up! Protest Zines as Resistance
DESCRIPTION:Calling all zine-makers!  \n\n\n\nSpeak Up! Protest Zines as Resistance is a reading room of protest and resistance zines from the 10×10 Photobooks and CPW communities. \n\n\n\nHosted in association with the Flashpoint! Protest Photography in Print Reading Room\, this reading room features self-published zines contributed by artists and activists from around the world via an ongoing Open Call. Created outside traditional publishing systems and often using simple\, accessible tools\, the zines speak to protest not just in content\, but in form. Raw\, urgent\, and deeply personal\, they remind us that self-publishing can be an act of defiance—and that print remains a powerful medium for amplifying voices. \n\n\n\nCPW\, founded in 1977 as the Center for Photography at Woodstock\, is dedicated to achieving social change via photography. \n\n\n\nClosing Reception for Speak Up! Protest Zines as ResistanceSaturday\, 9 August from 6-7:30 pm \n\n\n\nCPW Photobook + Zine Fair9 – 10 August from 11-6 pm \n\n\n\n10×10 Salon: The Photobook and ResistanceSunday\, 10 August from 11 am – 12:30 pm \n\n\n\nThere is still time to submit your photo-based zine! Submission of zines is ongoing until 2 August.
URL:https://10x10photobooks.org/event/cpw-open-call-zines/
LOCATION:CPW Kingston\, 25 Dederick Street\, New York\, 12401\, United States
CATEGORIES:Call for Submission,Reading Room
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/07/Speak-Up-CPW-zine-show-1200.jpg
ORGANIZER;CN="CPW Kingston":MAILTO:info@cpw.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250701T190000
DTEND;TZID=America/New_York:20250701T203000
DTSTAMP:20260427T230358
CREATED:20250618T143053Z
LAST-MODIFIED:20250702T155513Z
UID:30875-1751396400-1751401800@10x10photobooks.org
SUMMARY:NYC Democratic Socialists — Flashpoint! Talk
DESCRIPTION:The New York City Democratic Socialists host a Flashpoint! book event. Join NYC-DSA members Romke Hoogwaerts and Niko Nikias of the City Political Education Organizing Committee in conversation with Russet Lederman and Olga Yatskevich about the photographic materials showcased in Flashpoint! Protest Photography in Print\, 1950-Present. Presented by NYCDSA Citywide Political Education.
URL:https://10x10photobooks.org/event/nyc-dsa-flashpoint-talk/
LOCATION:The People’s Forum\, 320 West 37th Street\, New York\, New York
CATEGORIES:Talk
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/06/NYC-DSA-feature-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250524T080000
DTEND;TZID=America/New_York:20250831T170000
DTSTAMP:20260427T230358
CREATED:20250511T232346Z
LAST-MODIFIED:20250728T210139Z
UID:30803-1748073600-1756659600@10x10photobooks.org
SUMMARY:Flashpoint! Protest Photography in Print Reading Room at CPW Kingston
DESCRIPTION:Flashpoint! Protest Photography in Print\, 1950–Present explores the diverse roles and varying aesthetics that photography in print undertakes in its support of protest and political resistance. The exhibition comprises photobooks\, zines\, reproductions of posters\, pamphlets\, independent journals and alternative newspapers from all over the world that address—and participate in—protest. Visitors will be able to peruse a hands-on reading room featuring many of the photobooks and zines included in the book titled Flashpoint!\, edited by Russet Lederman and Olga Yatskevich (10×10 Photobooks\, 2024). The works in the exhibition reflect the thematic structure of the original 10×10 book\, organized into seven topics: Anti\, Gender\, Displacement\, Race & Class\, Environment\, Political\, and War & Violence. \n\n\n\nSome of the questions prompted by this powerful collection of media include: Is protest photography a “tool” conceived through an “aesthetic of urgency” to be used during events as they unfold\, as in an anonymously designed poster or ink-stained fliers plastered on street walls? How do we consider an elegantly designed photobook\, published a year or more after an event\, often with the help of well-known photographers\, writers and designers\, so as to document a past uprising? Whether outright rage or a more subtle artist-driven commentary\, Flashpoint! covers all of these formats and sometimes transcends rigid media definitions\, as it blurs the lines between what constitutes a book\, zine\, journal\, poster or newspaper. \n\n\n\nGallery HoursThursday: 11:00 am – 5:00 pmFriday: 11:00 am – 5:00 pmSaturday: 11:00 am – 5:00 pmSunday: 11:00 am – 5:00 pm
URL:https://10x10photobooks.org/event/flashpoint-protest-photography-in-print-reading-room-at-cpw-kingston/
LOCATION:CPW Kingston\, 25 Dederick Street\, New York\, 12401\, United States
CATEGORIES:Reading Room
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/05/cpw-FlashpointRR-feature.jpg
ORGANIZER;CN="CPW Kingston":MAILTO:info@cpw.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250520T180000
DTEND;TZID=America/New_York:20250520T200000
DTSTAMP:20260427T230358
CREATED:20250505T180345Z
LAST-MODIFIED:20250528T215910Z
UID:30762-1747764000-1747771200@10x10photobooks.org
SUMMARY:Salon #80 — Ashima Yadava and Philo Cohen of Speciwomen
DESCRIPTION:Please join 10×10 Photobooks for a Photobook Salon at the Magnum Foundation with Ashima Yadava and Philo Cohen of Speciewomen. \n\n\n\nAshima Yadava is a conceptual documentary photographer and curator. She works on long-form stories focusing on issues of gender equality and racial justice and believes in art as a means to social activism and reform. Born in New Delhi and based in San Francisco\, her work has been exhibited internationally\, including at the de Young Museum\, the Rotterdam Photo Festival\, the United Nations and ICP\, New York. Ashima is an inaugural fellow of the California Arts Council and the founder of Huq: I Seek No Favor. \n\n\n\nHuq: I Seek No Favor brings together voices of over 100 artists\, writers and thinkers in a collective response to the abortion ban. Overcome with anger and disbelief\, Yadava divided the 213-page U.S. Supreme Court Dobbs opinion into sections and invited a diverse group of artists to create art out of them. Rooted in defiance and multicultural solidarity\,  Huq calls for ongoing resistance and empowerment in the face of a system that perpetuates historical inequities and seeks to use women’s bodies as a tool of their oppression. \n\n\n\nPhilo Cohen is a publisher\, researcher and creative consultant. She is the founder and director of Speciwomen\, an independent arts non-profit dedicated to shifting representation in the arts by providing space\, time\, and resources to womxn artists. Through publications\, exhibitions\, and an artist residency project run out of her apartment in New York\, she fosters the development of impactful and long-lasting support for artists. Cohen has participated in public programming and conversations globally\, including events at the Whitney Museum\, Centre Georges Pompidou\, Palais de Tokyo\, and TEDx conferences.  \n\n\n\nSpeciwomen is a non-profit arts organization committed to giving space to women and LGBTQIA+ artists for retreat\, research and making. We seek to challenge existing norms\, promote inclusivity\, and contribute to a more equitable representation of marginalized voices in the arts landscape. Philo Cohen started Speciwomen in 2015\, aiming to foster safer and wider spaces for womxn artists to be recognized and heard. \n\n\n\nMagnet is a funded artist-in-residence program hosted by Speciwomen welcoming artists from outside of New York to spend time and make work in the city. Our headquarters are set up as a home and research center based in lower Manhattan. Each artist will have access to a shared live-in space\, the Speciwomen Library and a private studio space for the duration of the residency. 
URL:https://10x10photobooks.org/event/salon-80/
LOCATION:Magnum Foundation\, 59 East 4th Street\, 7W\, New York\, New York\, 10003\, United States
CATEGORIES:Salon
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/05/YadavaPhilo-featured-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250501T080000
DTEND;TZID=America/New_York:20250621T170000
DTSTAMP:20260427T230358
CREATED:20250429T032341Z
LAST-MODIFIED:20250531T163915Z
UID:30597-1746086400-1750525200@10x10photobooks.org
SUMMARY:Flashpoint! Protest Photography in Print Reading Room at Contact Photography Festival
DESCRIPTION:Flashpoint!\, a reading room exhibition focusing on protest photography in print\, presents a global selection of photobooks\, zines\, posters\, pamphlets\, independent journals and alternative newspapers that address protest and resistance from the 1950s to the present. Through its reflection of numerous cultural and regional perspectives\, Flashpoint! offers an opportunity to experience the lives of others\, grapple with complex societal issues\, and shape conversations that challenge norms and inspire positive and respectful discourse. Based on a 2024 anthology of the same title\, the Flashpoint! Reading Room is organized by 10×10 Photobooks\, a New York City-based nonprofit with a mission to support the global photobook community. \n\n\n\n\nBuy Flashpoint! book
URL:https://10x10photobooks.org/event/flashpoint-protest-photography-in-print-reading-room-at-contact-photography-festival/
LOCATION:Contact Gallery\, 80 Spadina Ave Ste 205\, Toronto\, Ontario\, Canada
CATEGORIES:Reading Room
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/04/3c9eecae-794e-4b67-93e0-e5b50e26a635.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250430T100000
DTEND;TZID=America/New_York:20250430T113000
DTSTAMP:20260427T230358
CREATED:20250424T212420Z
LAST-MODIFIED:20250501T024705Z
UID:30589-1746007200-1746012600@10x10photobooks.org
SUMMARY:2024-5 (Cycle 3) Research Grants on Photobook History Zoom Presentations
DESCRIPTION:In February 2024\, 10×10 Photobooks awarded its 3rd cycle of Research Grants on Photobook History  and was open to proposals on any topic in photobook history.   We are very excited to share the results of that research in a virtual event. The grantees and their subjects are: \n\n\n\n\nSudeshna Rana: Visualising the post-digital photobook:Studying the Influence of Global Digital Cultures on the Medium\, Patronage and Accessibility of the 21st Century Photobook in South Asia\n\n\n\nAlisa Prince: “Tomorrow is Here:” Image & Text in The Harlem Book of The Dead \n\n\n\nEthel-Ruth Tawe: The Algorithms of Colonial African Photobooks \n\n\n\n\nThe 3 grantees from that cycle will be presenting their results via Zoom on  Wednesday\, 30 April 2025:New York: 10 amLondon: 3 pmIndia: 7:30 pm \n\n\n\nThe program will last approximately 90 minutes\, during which the three recipients will present the outcomes of their work for about 20 minutes each\, followed by a brief discussion and audience Q&A. \n\n\n\nWe recognize the challenges with time zones\, and this event will be recorded and will be posted on the 10×10 YouTube site. If you wish to join the event live\, please register using the link below.
URL:https://10x10photobooks.org/event/2024-5-cycle-3-grants-zoom/
LOCATION:New York
CATEGORIES:Grants,Virtual Panel
ATTACH;FMTTYPE=image/png:https://10x10photobooks.org/wp-content/uploads/2025/04/grants-cycle3-hero.png
ORGANIZER;CN="10x10 Photobooks":MAILTO:grants@10x10photobooks.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250415T120000
DTEND;TZID=America/New_York:20250415T120000
DTSTAMP:20260427T230358
CREATED:20250308T021453Z
LAST-MODIFIED:20250311T183033Z
UID:30400-1744718400-1744718400@10x10photobooks.org
SUMMARY:Submit your Photo-based Protest Zine to the Flashpoint! Reading Room at the Contact Photography Festival in Toronto
DESCRIPTION:10×10 Photobooks and Contact Photography Festival seeks PHOTO-BASED protest zine submissions for a community selection featured in the hands-on Flashpoint! Protest Photography in Print Reading Room from 1 May to 21 June at Contact Gallery in Toronto\, Canada. \n\n\n\nDeadline for submission and receipt of zine: 15 April 2025.  \n\n\n\n\nWe seek PHOTO-BASED ZINES ONLY. Zines that do not include photography will not be considered. \n\n\n\nA selection from the photo-based zines submitted will be included in the reading room on a rotating basis. Priority will be given to Canadian submissions. \n\n\n\nPlease note that submitted zines will not be returned and submission does not guarantee inclusion.  \n\n\n\nSelected zine-makers will be notified of inclusion by 1 May 2025.\n\n\n\n\nFuture Flashpoint Reading Rooms will also include calls for submission of community zines. \n\n\n\n\nLook out for future emails about subsequent venue submission.\n\n\n\nSubmitters must submit to each future venue separately.\n\n\n\nSelection in one reading room venue does not transfer to the next venue.
URL:https://10x10photobooks.org/event/submit-your-zine-contact-festival/
LOCATION:Contact Gallery\, 80 Spadina Ave\, Ste 205\, Toronto\, Ontario\, M5V 2J4\, Canada
CATEGORIES:Call for Submission
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/03/flashpoint-dj-for-banner-scaled-e1741717819732.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250411T060000
DTEND;TZID=America/New_York:20250411T200000
DTSTAMP:20260427T230358
CREATED:20250301T192755Z
LAST-MODIFIED:20250426T124203Z
UID:30502-1744351200-1744401600@10x10photobooks.org
SUMMARY:Photobooks by Women
DESCRIPTION:Celebrate the opening of the Getty Research Institute exhibition What They Saw: Historical Photobooks by Women\, 1943–1999. Artists Catherine Opie and Melodie McDaniel will be joined by 10×10 Photobooks co-founder Russet Lederman and exhibition co-curator Isotta Poggi to explore photobook publication and how the process highlights themes of collaboration\, storytelling\, politics\, identity\, and resilience. \n\n\n\nThe discussion will be followed by a reception and gallery viewings. \n\n\n\nThe conversation will be available on the Getty Research Institute YouTube channel following the event. \n\n\n\n\nBuy the What They Saw Book
URL:https://10x10photobooks.org/event/photobooks-by-women-getty/
LOCATION:Getty Museum & Research Institute\, 1200 Getty Center Drive\, Los Angeles\, California\, 90049\, United States
CATEGORIES:Reading Room,Talk
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/03/Photobooks_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250408T080000
DTEND;TZID=America/New_York:20250511T180000
DTSTAMP:20260427T230358
CREATED:20250413T144600Z
LAST-MODIFIED:20250615T155941Z
UID:29861-1744099200-1746986400@10x10photobooks.org
SUMMARY:Getty Museum  & Research Institute — What They Saw Reading Room
DESCRIPTION:[8 April – 11 May 2025] This pop-up reading room surveys a global history of photobooks by women photographers from the Getty Library. As part of an international series showcasing the 10×10 Photobooks’ publication What They Saw: Historical Photobooks by Women 1843–1999\, it offers an inclusive revision and remapping of the photobook canon. Curated in collaboration with Getty Research Institute Photography Curator Isotta Poggi\, the reading room presents a diverse selection of 117 historical photobooks by women\, complemented by 22 notable photobooks by Southern California women artists after 2000. https://www.getty.edu/exhibitions/what-they-saw/ \n\n\n\n[April 11 at 6-8pm PST] Celebrate the opening of the Getty Research Institute exhibition What They Saw: Historical Photobooks by Women\, 1943–1999. Artists Catherine Opie and Melodie McDaniel will be joined by 10×10 Photobooks co-founder Russet Lederman and exhibition co-curator Isotta Poggi to explore photobook publication and how the process highlights themes of collaboration\, storytelling\, politics\, identity\, and resilience. https://www.getty.edu/calendar/photobooks-by-women/ \n\n\n\nThe discussion will be followed by a reception and gallery viewings. \n\n\n\nThe conversation will be available on the Getty Research Institute YouTube channel following the event. \n\n\n\nThe What They Saw: Historical Photobooks by Women Reading Room is realized with supported from Richard Sun. \n\n\n\n\nWhat They Saw Book
URL:https://10x10photobooks.org/event/wts-getty/
LOCATION:Getty Museum & Research Institute\, 1200 Getty Center Drive\, Los Angeles\, California\, 90049\, United States
CATEGORIES:Reading Room
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2024/12/WTS_Getty-May2024-featured-hero.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250406T030000
DTEND;TZID=America/New_York:20250406T170000
DTSTAMP:20260427T230358
CREATED:20250329T000804Z
LAST-MODIFIED:20250412T210035Z
UID:30542-1743908400-1743958800@10x10photobooks.org
SUMMARY:Flashpoint! Talk & Gathering at These Days in Los Angeles
DESCRIPTION:Please join us for a book talk and gathering on protest photography in print at These Days with Olivian Cha\, Noé Montes\, Marjorie Ornston and the 10×10 Photobooks editors of Flashpoint! Protest Photography in Print. \n\n\n\nMeet and hear the 10×10 Photobooks editorial team and several of the Los Angeles-based authors\, experts and contributors associated with 10×10 Photobooks’ recent publication Flashpoint! Protest Photography in Print\, 1950-Present. \n\n\n\nPresentations by: \n\n\n\n\nRusset Lederman and Olga Yatskevich\, Flashpoint editors\, will give an overview of the project.\n\n\n\nOlivian Cha\, curator and collections manager of the Corita Kent Center\, will speak on Sister Corita Kent and her art\, teaching\, and passion for social justice.\n\n\n\nNoé Montes\, Los Angeles-based artist working in the mediums of photography\, social practice\, installation and public art\, will present posters from the collection of the Center for the Study of Political Graphics.\n\n\n\nMarjorie Ornston\, collector and researcher\, will share book contributions by Danny Lyon\, posters by Gran Fury and Resources in Flashpoint!.
URL:https://10x10photobooks.org/event/flashpoint-these-days-la/
LOCATION:These Days\, 118 Winston Street\, Los Angeles\, California\, 90013\, United States
CATEGORIES:Talk
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/03/Flashpoint-LA-bookTalk-Feature2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250325T180000
DTEND;TZID=America/New_York:20250325T200000
DTSTAMP:20260427T230358
CREATED:20250307T212811Z
LAST-MODIFIED:20250325T153416Z
UID:30391-1742925600-1742932800@10x10photobooks.org
SUMMARY:Salon #78 — Carmen Winant and Mariette Pathy Allen @ NYPL
DESCRIPTION:Please join 10×10 Photobooks and the Wallach Division at The New York Public Library for a Photobook Salon with Carmen Winant and Mariette Pathy Allen\, moderated by Elizabeth Cronin\, Robert B. Menschel Curator of Photography at The New York Public Library. \n\n\n\nCarmen Winant is an artist and the Roy Lichtenstein Chair of Studio Art at the Ohio State University. Her work utilizes archival and authored photographs to examine feminist care networks\, with particular emphasis on intergenerational\, multiracial\, and sometimes transnational coalition building. Winant is a 2019 Guggenheim Fellow in photography\, a 2020 FCA Artist Honoree and a 2021 American Academy of Arts and Letters award recipient. She is also a community organizer\, prison educator\, and mother to her two children\, Carlo and Rafa\, shared with her partner\, Luke Stettner. Her recent publications include My Birth (2018) and The Last Safe Abortion (2024) \n\n\n\nMariette Pathy Allen has been photographing transgender communities for nearly five decades\, pioneering visibility through five books: Transformations: Crossdressers and Those Who Love Them (1989)\, The Gender Frontier (2003)\, TransCuba (2014)\, Transcendents (2017) and I Was The Girl (2024). Her work is in numerous major collections\, has been exhibited internationally\, and is being archived by Duke University. Beyond gender\, Allen has a number of series exploring family\, birth\, juxtapositions\, fantasy\, and everyday life. Allen lives in NYC and is represented by CLAMP.
URL:https://10x10photobooks.org/event/salon-78/
LOCATION:New York Public Library\, Stephen A. Schwartzman Building\, Room 308\, 476 Fifth Avenue\, New York\, New York\, 10018\, United States
CATEGORIES:Salon
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/03/78-combo-winantPathyAllen-alt-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250228T180000
DTEND;TZID=America/New_York:20250228T200000
DTSTAMP:20260427T230358
CREATED:20250211T195345Z
LAST-MODIFIED:20250303T173832Z
UID:30240-1740765600-1740772800@10x10photobooks.org
SUMMARY:Photography and Text in Protest: A Panel Discussion
DESCRIPTION:Please join us for a panel discussion with archives specialist Arthur Fournier\, photographer Kris Graves and scholar Kyle Canter on the relationship of photography with text in protest materials in print. Featuring examples from 10×10 Photobooks’ new anthology\, Flashpoint! Protest Photography in Print\, 1950-Present (10×10 Photobooks)\, the speakers will explore the recent history of protest photography in print worldwide and how the intersection of photography and text shape both the making and reception of the material—from photobooks\, zines\, posters\, pamphlets\, independent journals and alternative newspapers. Since its inception\, photography has captured defining historical moments\, serving as either a tool or a document of protest—or both. Often combined with text (essays\, poetry\, diary entries\, etc.) to tell stories or make arguments\, photography has served this purpose through extreme social and cultural transformations and the contemporary daily reality of political and social upheaval\, often contentious\, disorienting and polarizing. Flashpoint! will be available for sale and signing at the event. \n\n\n\nArthur Fournier is an independent broker of twentieth-century archives and a member of the Antiquarian Booksellers Association of America who focuses on primary source materials from the late twentieth century\, including underground serials\, self-published books and ephemera that provide an alternative bibliographic view of contemporary life and revolutionary struggle. \n\n\n\nKris Graves is an American photographer who examines systemic unfairness in the United States. Using a mix of conceptual and documentary practices\, Graves photographs the subtleties of societal power and how racism and capitalism can be seen and experienced in everyday life. His recent publications include RNC DNC\, Privileged Mediocrity and A Bleak Reality. \n\n\n\nKyle Canter is a PhD student in art history at the CUNY Graduate Center. His research interests include the concept and politics of social documentary photography and photography’s relationship to the medical humanities and gender/sexuality studies. His writing has appeared in 125th Street: Photography in Harlem\, the Journal of Black Mountain College Studies and Flashpoint! Protest Photography in Print\, 1950–Present.
URL:https://10x10photobooks.org/event/photography-and-text-in-protest-a-panel-discussion/
LOCATION:Grolier Club\, 47 East 60th Street\, New York\, New York\, 10022\, United States
CATEGORIES:Talk
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2025/02/Flashpoint-panel-Text-and-Image-protest-2-1.jpg
ORGANIZER;CN="Grolier Club":MAILTO:info@grolierclub.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250121T180000
DTEND;TZID=America/New_York:20250121T200000
DTSTAMP:20260427T230358
CREATED:20250101T222257Z
LAST-MODIFIED:20250122T220008Z
UID:29946-1737482400-1737489600@10x10photobooks.org
SUMMARY:Printed Matter: Flashpoint! Conversation
DESCRIPTION:Join us for a conversation between Olga Yatskevich\, Russet Lederman and Lesley A. Martin on occasion of the release of Flashpoint! Protest Photography in Print\, 1950-Present\, a new anthology from 10×10 Photobooks. \n\n\n\nThe past seventy-five years have been a time of extreme social and cultural transformations worldwide. Political and social upheaval\, often contentious\, disorienting and polarizing\, is now a daily reality. We live in a world rife with ideological and tribal conflicts. Since its inception\, photography has captured defining historical moments\, serving as either a tool or a document of protest—or both. Flashpoint! Protest Photography in Print\, 1950-Present\, does a deep dive into protest photography in print through a global selection of photobooks\, zines\, posters\, pamphlets\, independent journals and alternative newspapers. \n\n\n\nAlso on view at Printed Matter: 2024 Paris Photo–Aperture PhotoBook Awards. Flashpoint! Protest Photography in Print\, 1950-Present is among the five shortlisted titles for the Catalogue of the Year Award in this exhibition.Photo Credit: Spread from Zed Nelson’s Gun Nation (2000)\, documented in Flashpoint! Protest Photography in Print\, 1950-Present.
URL:https://10x10photobooks.org/event/flashpoint-conversation-pm/
LOCATION:Printed Matter\, 231 11th Ave\, New York\, NY\, 10001\, United States
CATEGORIES:Talk
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241217T180000
DTEND;TZID=America/New_York:20241217T200000
DTSTAMP:20260427T230358
CREATED:20241121T160053Z
LAST-MODIFIED:20250303T162323Z
UID:29737-1734458400-1734465600@10x10photobooks.org
SUMMARY:Salon #76 — Melissa Harris and Krissy Shook at Higher Pictures
DESCRIPTION:Please join 10×10 Photobooks for a Salon with Melissa Harris and Krissy Shook. \n\n\n\nMelissa Harris is editor-at-large of Aperture and served as editor-in-chief of Aperture magazine\, 2000–2012. Harris curates exhibitions worldwide\, including Mary Ellen Mark: Encounters with C/O Berlin (& Steidl Verlag\, 2023). She is the author of two visual biographies: A Wild Life on Michael “Nick” Nichols (Aperture\, 2017)\, and Josef Koudelka: Next (Aperture\, 2023). Melissa will discuss her two most recent publishing/curatorials projects: Josef Koudelka: Next and Mary Ellen Marks: Encounters. The only authorized biography of Josef Koudelka\, Melissa spent almost ten years and hundreds of hours interviewing Koudelka about his more than 60-year-long career for her definitive volume on one of the Magnum Photos’ seminal photographers. A touring exhibition and associated publication\, Mary Ellen Mark: Encounters is a comprehensive survey of Mark’s documentary and portrait practice from the 1960s until the end of her life in 2015. Mark’s immense empathy and humanist ideals imbue both her personal and assigned photography of marginalized peoples.Born in Manhattan\, Kristina Shook is a full-scholarship graduate of Sarah Lawrence College and holds a Master’s degree from the American Film Institute. She is a writer\, performance artist\, and visual artist.  \n\n\n\nKristina was photographed from ages 1 to 18 by her late mother\, renowned photographer Melissa Shook. She joins the 10×10 Photobooks Salon to discuss Krissy: Photographs and Writings by Melissa Shook (c. 1979)\, an unpublished book maquette on Kristina’s early life and Daily Self-Portraits 1972-1973 (TBW\, 2023) her mother’s first photography book\, published by TBW Books. The book\, twice shortlisted this year at the Arles Book Fair and Paris Photo-Aperture PhotoBook Awards 2024\, features Melissa’s daily self-portraits taken in their Lower East Side apartment. The discussion will delve into the intimate moments captured in the series and Kristina’s memories of being part of this deeply personal project. Krissy will also share Krissy: Photographs and Writings by Melissa Shook.
URL:https://10x10photobooks.org/event/salon-76/
LOCATION:Higher Pictures\, 45 Main Street #723\, Brooklyn\, New York\, 11201\, United States
CATEGORIES:Salon
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ORGANIZER;CN="10x10 Photobooks Salons":MAILTO:info@10x10photobooks.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241120T180000
DTEND;TZID=America/New_York:20241120T200000
DTSTAMP:20260427T230358
CREATED:20241016T144716Z
LAST-MODIFIED:20241123T145412Z
UID:29689-1732125600-1732132800@10x10photobooks.org
SUMMARY:Salon #75 — João Pina and Jesper Haynes at Center for Book Arts
DESCRIPTION:Please join 10×10 Photobooks for a Salon with João Pina and Jesper Haynes.João Pina is a freelance photographer born in Portugal. He began working as a professional photographer at eighteen and graduated from the International Center of Photography program in 2005. Pina’s photographs have been published in The New York Times\, the New Yorker\, Stern\, Time\, and Visão\, among others. \n\n\n\nPina has published numerous books\, including Por Teu Livre Pensamento (2007)\, featuring the stories of former Portuguese political prisoners; CONDOR (2014)\, an exploration of the remnants of Operation Condor\, a large-scale secret military operation to eliminate political opposition to the military dictatorships in South America during the 1970s; and 46750 (2018)\, which focuses on the ongoing urban violence in Rio de Janeiro and the city’s transformation over the past decade while preparing for the 2014 FIFA World Cup and the 2016 Olympic Games. Tarrafal (2024)\, his most recent book presents a dialogue with his grandfather\, a political prisoner\, along with the only images made inside the Tarrafal concentration camp\, nicknamed the “slow death camp.” \n\n\n\nJesper Haynes is an American-Swedish photographer known for capturing urban life and intimate moments over decades. He has published fifteen books and zines and exhibited his work globally in cities like New York\, Bangkok\, Stockholm and Tokyo. Haynes has also worked on collaborations with the fashion brand Chanel. \n\n\n\nIn 1986\, Jesper moved to an apartment on the corner of St. Marks and First Avenue. It was above the St. Mark’s Bar & Grill where the Rolling Stones had just filmed the video for “Waiting on a Friend.” His home for twenty years\, the apartment is the backdrop for much of his photography during this period\, and is compiled in his book St. Marks 1986-2006 (2015). His recent eponymous book Jesper Haynes (2022) also presents a collection of images from the 1980s to the present\, including his projects: New York Darkroom; Haynesville; Gig; Brooklyn 11211; Shibuya Scramble; and Bangkok 2020/21.
URL:https://10x10photobooks.org/event/salon-75/
LOCATION:Center for Book Arts\, 28 West 27th Street\, 3rd Floor\, New York\, New York\, 10001\, United States
CATEGORIES:Salon
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ORGANIZER;CN="10x10 Photobooks Salons":MAILTO:info@10x10photobooks.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241004T180000
DTEND;TZID=America/New_York:20241004T200000
DTSTAMP:20260427T230358
CREATED:20240910T141654Z
LAST-MODIFIED:20241007T201640Z
UID:29613-1728064800-1728072000@10x10photobooks.org
SUMMARY:Salon #74 — Photography and Photobooks in the Age of AI\, a panel discussion with Fred Ritchin\, Brian Palmer and Alexey Yurenev at Magnum Foundation
DESCRIPTION:Join us for “Photography and Photobooks in the Age of AI\,” a 10×10 Salon panel discussion featuring Fred Ritchin\, Brian Palmer and Alexey Yurenev. With artificial intelligence fundamentally transforming photography and image-making\, this panel will look at its impact within photography in general and more specifically within the field of photobooks from the perspectives of an educator/critic\, visual journalist and artist/visual researcher.Fred Ritchin is a writer\, educator\, photography critic and dean emeritus of the International Center of Photography (ICP) School. His forthcoming book The Synthetic Eye (Thames & Hudson\, 2024) is a revelatory glimpse into the future of photography\, one where the very nature of how images are created is fundamentally transformed by artificial intelligence. Brian Palmer is a visual journalist and educator based in Richmond\, VA. Palmer is a former CNN correspondent\, US News and World Report photographer\, and US News Beijing Bureau Chief. He is a co-founder of the Writing with Light campaign.Alexey Yurenev is a photographer and visual researcher interested in how technology shapes the production of knowledge and collective memory. His recent book Seeing Against Seeing\, generated with the aid of AI\, arose from a collaboration with the designer Teun van der Heijden and the Anti-Krieg Museum in Berlin.
URL:https://10x10photobooks.org/event/salon-74/
LOCATION:Magnum Foundation\, 59 East 4th Street\, 7W\, New York\, New York\, 10003\, United States
CATEGORIES:Salon
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ORGANIZER;CN="10x10 Photobooks Salons":MAILTO:info@10x10photobooks.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241001T093000
DTEND;TZID=America/New_York:20250103T180000
DTSTAMP:20260427T230358
CREATED:20241023T115357Z
LAST-MODIFIED:20241023T115400Z
UID:29708-1727775000-1735927200@10x10photobooks.org
SUMMARY:What They Saw Reading Room in Miami
DESCRIPTION:10×10 Photobooks is pleased to collaboration with WOPHA to present the What They Saw Reading Room at the Miami Dade Public Library’s Main Branch \n\n\n\nMiami Dade Public LibraryMain Library101 W Flagler St.Miami\, FL 33130 \n\n\n\nPart of 10×10’s touring reading room exhibition that highlights significant but often overlooked photobooks created by women from 1843 to 1999\, the What They Saw Reading Room\, based on 10×10’s publication of the same title\, addresses underrepresentation in photobook history\, particularly of non-Western and women of color. Specific to the Miami venue is a section showcasing contemporary South Florida women photographers. This reading room was facilitated by Aldeide Delgado\, Amanda Bradley and Zonia Zena of WOPHA. \n\n\n\nPick your copy of What They Saw: Historical Photobooks by Women\, 1843-1999 in the Miami area at: \n\n\n\nBooks & Books265 Aragon AvenueCoral Gables\, FL \n\n\n\nDale Zine Shop50 NE 40th StreetMiami\, FL
URL:https://10x10photobooks.org/event/wts-miami/
LOCATION:Miami Dade Public Library – Main Branch\, 101 West Flagler Street\, Miami\, Florida\, 33130\, United States
CATEGORIES:Reading Room
ATTACH;FMTTYPE=image/jpeg:https://10x10photobooks.org/wp-content/uploads/2024/10/WTS-Miami-overview-install.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240909T180000
DTEND;TZID=America/New_York:20240909T200000
DTSTAMP:20260427T230358
CREATED:20240730T171107Z
LAST-MODIFIED:20240911T192050Z
UID:29587-1725904800-1725912000@10x10photobooks.org
SUMMARY:Salon #73 — Jason Koxvold of Gnomic Books and Svetlana Bachevanova of FotoEvidence Press
DESCRIPTION:Join us for a 10×10 Salon featuring Jason Koxvold of Gnomic Book and Svetlana Bachevanova of FotoEvidence Press on Monday\, 9 September at 6pm at Penumbra Foundation. Books will be available for browsing and purchase before and after the presentations. \n\n\n\nJason Koxvold is an artist and publisher whose practice focuses on the shared spaces between soft and hard power. His first monograph\, Knives\, was published in 2017\, followed by You Were Right All Along (2018)\, Calle Tredici Martiri (2019) and Engage and Destroy (2023). His work has been exhibited in the United States\, Britain\, Germany\, France\, and Japan. Koxvold is also the founder of Gnomic Book\, an independent fine art imprint founded in 2016.Koxvold will be presenting three recent publications from Gnomic Book. Jason Hendardy’s This is a Test (2024) is a premonition and reflection on technology\, America\, and the subjectivity of an artist wading through three decades of culture and personal creation. American Glitch (2024) by Andrea Orejarena and Caleb Stein documents the years the artists spent treating the internet as their collective subconscious as part of their lengthy research process. Koxvold’s Engage and Destroy (2023) meditates on culturally manufactured notions of hegemonic hypermasculinity in a time of global conflict—and how these notions meet with reality.Svetlana Bachevanova is the executive director of the FotoEvidence Association in France and a co-founder of the acclaimed publishing house FotoEvidence Press (New York 2010). The books she and her team publish expose injustice\, create enduring evidence of violations of human rights and inspire social change. \n\n\n\nBachevanova will be sharing Ukraine: A War Crime (2023)and Ukraine: Love+War (2014-2024) (2024)\, two  unique\, collaborative books that bring together more than 150 photojournalists from 29 countries to tell the story of the Russian invasion of Ukraine from the perspective of those tasked with documenting it.
URL:https://10x10photobooks.org/event/salon-73/
LOCATION:Penumbra Foundation\, 36 E 30th Street\, New York\, New York\, 10016\, United States
CATEGORIES:Salon
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ORGANIZER;CN="10x10 Photobooks Salons":MAILTO:info@10x10photobooks.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240521T180000
DTEND;TZID=America/New_York:20240521T193000
DTSTAMP:20260427T230358
CREATED:20240506T200410Z
LAST-MODIFIED:20240722T235124Z
UID:29357-1716314400-1716319800@10x10photobooks.org
SUMMARY:Salon #72 — New York Public Library Picture Collection Artist Fellows: Audra Wolowiec\, Michelle Maguire and Noah Doely
DESCRIPTION:Join us for a 10×10 Salon featuring the current projects of New York Public Library Picture Collection Artist Fellows: Audra Wolowiec\, Michelle Maguire and Noah Doely. \n\n\n\nAudra Wolowiec will present WAV\,  a project initiated during her Artist Fellowship at the NYPL Picture Collection\, to locate images that evoke sound\, silence\, and noise. In addition\, she will share AIR\, an artist book edition and vinyl LP published by her publishing platform Gravel Projects\, inviting sonic and visual interpretations of breath. \n\n\n\nWolowiec is an interdisciplinary artist based in New York whose work explores sound and the material qualities of language. Her work has been shown internationally and across the United States. Wolowiec teaches at Parsons School of Design and directs the publishing platform Gravel Projects.  \n\n\n\nFor their collaborative NYPL Picture Collection fellowship\, Michelle Maguire and Noah Doely browsed the collection\, searching for a diverse range of subject matter that illustrates things hiding in plain sight. Their goal was to spotlight veiled examples from the natural and human-made worlds that embody a broad spectrum of the things that are not what they seem—from masters of imitation to clumsy disguises and everything in between—compiling visual material that will ultimately become a book. Maguire will also share Leaks\, Squeaks and Cheeks\, a side project focusing on three commonplace\, straight-faced subjects that evoke Ed Ruscha’s playful use of serial sequences and rhyme schemes. \n\n\n\nMaguire is drawn to things that are deadpan\, things that contain layered and ambiguous meanings\, and things that surprise and delight. Her self-published books about family anecdotes and the extension of memory are in the permanent collections of Yale\, Harvard\, the School of the Art Institute of Chicago and the Center for Book Arts. \n\n\n\nDoely’s work explores the paradoxical relationship between seeing and belief through photography\, sculpture\, and video. He received an MFA from UC San Diego and has been awarded fellowships and residencies at the Bemis Center for Contemporary Arts\, MacDowell and the Penumbra Foundation\, where he regularly teaches workshops.  \n\n\n\nThis salon is graciously hosted by the Picture Collection at the New York Public Library.
URL:https://10x10photobooks.org/event/salon-72/
LOCATION:New York Public Library\, 476 Fifth Avenue\, New York\, NY\, 10018
CATEGORIES:Salon
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